Il Matrimonio Segreto (The Secret Marriage, complete) Cover Image

Il Matrimonio Segreto (The Secret Marriage, complete): Conductor Score & Parts

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Il Matrimonio Segreto (The Secret Marriage, complete) Cover Image

Il Matrimonio Segreto (The Secret Marriage, complete): Conductor Score & Parts

By Domenico Cimarosa

Item: 36-A459302

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Description
IL MATRIMONIO SEGRETO (THE SECRET MARRIAGE) by Domenico Cimarosa (1749-1801) is his only work still to be regularly performed today and arguably among the greatest 18th century opera buffa. The dramma giocoso was so well-received at the February 7, 1792 premiere at the Imperial Hofburg Theatre in Vienna, that Emperor Leopold II had supper served to the entire company followed by an immediate repeat performance of the entire opera. The Italian premiere took place at La Scala in Milan on February 17, 1793. Instrumentation: 2.2.2.2: 2.2.0.0: Timp.BsDr: Str (4-4-3-3-3 in set).

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Additional Details
Series: Kalmus Opera Library
Publisher: Keiser Productions, Inc.
UPC: 660355008177
SKU: 36-A459302
Instrumentation: 2.2.2.2: 2.2.0.0: Timp.BsDr: Str (4-4-3-3-3 in set): Cast of 6 (S.S/MS.MS.T.B.B)

More about this title

About the Composer: Domenico Cimarosa

Domenico Cimarosa (1749, 1801) was one of the most prolific opera composers of the late 18th century, yet his legacy rests almost entirely on a single work. A Naples-trained composer who served in the courts of Russia and Austria, Cimarosa mastered the brisk ensemble writing and rapid-fire dialogue that defined opera buffa at its height. His instinct for theatrical timing and vocal writing remains sharp across his career, but it found its fullest expression in Il Matrimonio Segreto.

The opera's 1792 Vienna premiere became legendary: Emperor Leopold II was so delighted that he ordered the entire cast back to the stage for an immediate second performance. This extraordinary reception speaks to Cimarosa's gift for combining melodic charm with dramatic momentum, crafting an opera that pleases audiences without condescension.

Why we love this

Few operas buffa from this era remain genuinely playable by a modern chamber ensemble without substantial cuts or transpositions. Cimarosa's orchestration is lean and elegant, strings and winds talk as equals, not servants, which means your players are never buried and the singers always land. The music moves with infectious energy, building ensemble numbers that reward precise counting and confident conducting.

What to expect

Bright, conversational, and perpetually in motion. The music charms without sentiment and moves between recitative and ensemble with the naturalness of people talking over each other at a dinner party. There is genuine wit in the orchestral writing and genuine warmth in the melodies, but nothing self-important.

Who it's for

Orchestras and opera workshops with secure ensemble skills and singers comfortable with Classical vocal agility. This score suits conductors who want to program a major opera buffa without the logistical weight of a Rossini or Mozart premiere, and it challenges musicians to find elegance in buoyant, conversational music.

How to get the most out of it

  • Shape the overture's rhythmic figures with a single clear pulse; the comedy relies on crisp articulation rather than expressive rubato.
  • Clarify the recitative-to-aria transitions for your continuo players so that harmonic support lands without dragging into the next section.
  • Encourage your strings to listen actively during the ensemble numbers; Cimarosa layers independent rhythmic ideas that only sing when each section hears what surrounds it.
  • Balance the woodwind doublings carefully in the lower register so that inner voices remain transparent without overwhelming the vocal line.

How to use it

Feature this as the centerpiece of a Classical opera concert, pairing it with shorter vocal or instrumental works from the same decade. Its length and clear dramatic arc make it ideal for a spring concert or a special chamber opera presentation that showcases your orchestra's versatility and your singers' range.

Skills your students will build

  • Conducting recitative with flexible beat clarity while supporting singers' phrasing
  • Balancing transparent orchestration across multiple independent lines
  • Coordinating rapid ensemble entrances and ensemble singing in a comedic context
  • Supporting rapid vocal agility and articulation in Classical style
  • Responding to theatrical pacing and dramatic timing in real time

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