Il Est Bel Et Bon (A Good And Handsome Man): SSA Choral Octavo
Il Est Bel Et Bon (A Good And Handsome Man) Sheet Music Preview

Il Est Bel Et Bon (A Good And Handsome Man): SSA Choral Octavo

As performed by Pierre Passereau / Arranged by John Leavitt

Item: 35-DS00306187
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$2.50
Description

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00306187

More about this title

About the Artist: Pierre Passereau

Pierre Passereau was a French Renaissance composer active in the early 16th century, known for his secular vocal works and contributions to the development of the chanson. His compositions circulated widely throughout Europe and appeared in collections across France, Italy, and the Low Countries, making him a significant figure in Renaissance vocal music during a period of rapid stylistic innovation.

Why we love this

Leavitt's arrangement captures the wit and charm of this Renaissance chanson while making it genuinely accessible for modern ensembles. The SSA voicing sits beautifully and the straightforward harmonic language lets the text and melody shine, making this a piece that singers enjoy learning and audiences enjoy hearing.

What to expect

Buoyant and conversational, with the easy warmth of people enjoying each other's company. The piece has the playfulness of a good story told in song, inviting the audience into a moment of Renaissance life without any pretense.

Who it's for

Intermediate to advanced women's choirs looking for Renaissance repertoire that engages both singers and listeners. Directors seeking concert filler or a piece with character and historical substance will find this arrangement both musically and programmatically rewarding.

How to get the most out of it

  • Emphasize the text clarity and natural French pronunciation throughout; the humor of the lyrics depends on the audience understanding what's being sung.
  • Keep the tempo moving with a light touch; Renaissance chansons benefit from a dance-like energy rather than ponderous phrasing.
  • Balance the soloistic moments in whichever voice carries the primary melody against the supporting voices so the narrative arc remains clear.

How to use it

This works beautifully in a thematic program exploring Renaissance secular music or French vocal traditions. Its accessibility and charm also make it ideal as a lighter moment between more demanding contemporary or classical pieces.

Skills your students will build

  • Reading Renaissance notation and understanding period style conventions
  • French language pronunciation and diction in singing
  • Blending SSA voicing with balanced part writing
  • Interpreting text expression and narrative storytelling in music
  • A cappella tuning and intonation in close harmony

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