If You Don't Know Me by Now Cover Image

If You Don't Know Me by Now: SAB Choral Octavo

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If You Don't Know Me by Now Cover Image

If You Don't Know Me by Now: SAB Choral Octavo

Words and music by Kenneth Gamble and Leon Huff / arr. Mike Taylor

Item: 00-31313

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Description
You've probably heard this song recently sung by Seal on his album Soul. But perhaps you first discovered the recording by the Philadelphia soul group Harold Melvin & the Blue Notes (1972). Talk about a song that has legs!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081340814
SKU: 00-31313

More about this title

About the Composer: Kenneth Gamble

Kenneth Gamble is a songwriter and producer who shaped the Philadelphia soul sound of the 1970s. Working alongside Leon Huff, he co-wrote some of the most enduring R&B and soul standards ever recorded, including tracks for Harold Melvin & the Blue Notes, the O'Jays, and Teddy Pendergrass.

Gamble's compositions are rooted in strong melodic lines and emotional directness, qualities that make them rewarding subjects for choral arrangement. His songwriting partnership with Huff produced music that has transcended its original era and continues to resonate across generations of listeners and performers.

Why we love this

This arrangement captures the warmth and sophistication of a genuine soul classic without requiring your singers to navigate complex harmonies or extreme ranges. Mike Taylor's SAB voicing preserves the song's emotional core while keeping the piece accessible for mixed choirs at intermediate levels, making it equally viable for a holiday concert or a springtime pop show.

What to expect

Warm, introspective, and confidently emotional. The arrangement honors the song's original arrangement while creating space for voices to breathe and for the lyrical content to land authentically. There's a quality of restraint here that actually heightens the emotional impact.

Who it's for

Any SAB or three-part mixed choir looking for contemporary repertoire with genuine artistic substance. This works equally well for high school choirs, community groups, and college ensembles seeking a recognizable song that doesn't sacrifice musicality for familiarity.

How to get the most out of it

  • Lean into the legit singing style the arrangement calls for; this isn't novelty music, and your choir will sound best when treating the melody with the same care you'd give a spiritual or art song.
  • Balance the lead line with the supporting voices so the song's familiarity works in your favor without anyone checking out during their harmonic parts.
  • Take full advantage of the recorded accompaniment to lock in the groove; the rhythm section is essential to selling the soul feel, especially if your rehearsal accompanist isn't comfortable with contemporary R&B grooves.

How to use it

Program this alongside other soul standards or contemporary pop arrangements to anchor a full concert in accessible material. It also works as a standalone closer or as part of a medley celebrating classic R&B hits. The 12-page length and familiar melody make it ideal for performances where rehearsal time is limited.

Skills your students will build

  • Singing in a contemporary soul style with appropriate phrasing and articulation
  • Maintaining independence in three-part voicing while supporting a strong melodic line
  • Working with recorded accompaniments to lock in groove and timing

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