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If Music Be the Food of Love: SATB Choral Octavo

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If Music Be the Food of Love Cover Image

If Music Be the Food of Love: SATB Choral Octavo

Music by Andy Beck

Item: 00-23086

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Description
Inspired by the writing of William Shakespeare, If Music Be the Food of Love is a stunning contemporary choral that will move the musicianship of your seasoned choir to a new level. It opens expressively, with an artful solo, and builds to a breathtaking climax reminiscent of the finest operatic writing. Your accompanist will love playing the piano part, and your choir will cherish the soaring vocal lines. An unforgettable piece for concerts, contests, and festivals.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, If Music Be the Food of Love: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081222684
SKU: 00-23086

More about this title

About the Composer: Andy Beck

Andy Beck

Andy Beck serves as Director of Choral Publications at Alfred Music and has established himself as one of the most performed contemporary choral composers in the country. His catalog includes over 450 choral works, vocal resources, and musical theatre pieces that span all age levels and voice combinations. Beyond composing and arranging, Beck maintains an active schedule as a guest conductor, adjudicator, and clinician, and has been commissioned to work with honor choirs and all-state ensembles throughout the Southeast.

Beck's educational credentials include a Bachelor's degree in Music Education from Ithaca College and a Master's degree from Northwest Missouri State University. He brings his training directly into his writing through published vocal technique resources including Vocalize! 45 Vocal Warm-Ups That Teach Technique and Foundations in Choral Sight Singing. A tenor vocalist himself, Beck has performed with the North Carolina Master Chorale Chamber Choir and has been an Alfred Music recording artist since 1992, lending his voice to countless accompaniment tracks and studio sessions.

Why we love this

Beck writes with the sophistication of someone who understands exactly what makes singers feel successful at every level. This piece opens with a thoughtfully crafted solo that gives one singer a moment to shine before building into ensemble writing that honors both musicianship and dramatic impact. The operatic sweep of the final climax rewards choirs that have worked through the detail work in earlier sections, making it equally compelling for concert halls and competitive festival stages.

What to expect

The piece begins with intimate vulnerability, a single voice carrying the weight of the text against the piano's support. As additional voices enter, the musical landscape expands gradually, building layers of harmony that create anticipation. By the final climax, the work reaches operatic grandeur, delivering the soaring, breathtaking moment Beck promises in the score.

Who it's for

Advanced high school choirs, collegiate ensembles, and community choirs with solid musicianship will find this piece rewarding. The SATB voicing and eight-page length place it within reach for competitive groups, while the emotional maturity of the text and compositional approach demands singers who can sustain long lines and respond to expressive direction.

How to get the most out of it

  • Balance the opening solo against the piano accompaniment so the text remains intelligible while establishing the piece's expressive character from the first phrase.
  • Shape the buildup to the climax by mapping dynamic and harmonic intensity across the ensemble; resist the urge to reach your forte too early, and let the music earn its breathtaking conclusion.
  • Have your accompanist practice independently first, then meet for multiple rehearsals focused solely on ensemble balance and synchronized entrances with the full choir.
  • Mark all phrase breathing points clearly in your score and parts so singers understand where the music breathes and where it pushes through.

How to use it

This octavo works beautifully as a concert centerpiece or closing piece for a mixed choral program, where it can follow lighter or more rhythmic selections. Its contest and festival designation makes it a strong choice for competitive events, particularly when your program benefits from a secular work that showcases both technical skill and emotional depth. The piece also stands alone as a recital feature for advanced ensembles.

Skills your students will build

  • Sustaining long lyrical phrases across multiple measures
  • Balancing solo voice against ensemble textures
  • Reading and executing dynamic and expressive markings at an advanced level
  • Responding to operatic compositional language and dramatic architecture
  • Collaborative listening within SATB voicing, particularly during climactic harmonic moments

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