If Love Should Count You Worthy Sheet Music Preview

If Love Should Count You Worthy: SATB Choral Octavo

By Victor C. Johnson

Item: 35-DS00547435

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00547435

More about this title

About the Composer: Victor C. Johnson

Victor C. Johnson

Victor C. Johnson has established himself as one of the most recorded choral composers of his generation, with over 500 published works spanning octavos, vocal solos, and keyboard collections. Based in Dallas, he currently serves as School Choral Editor for Sing!, the educational publishing arm of Choristers Guild, bringing decades of classroom experience to his editorial work.

From 2000 to 2018, Johnson directed choral ensembles at Ft. Worth Academy of Fine Arts, where he shaped the Academy Singers and Academy Men's Choir while also serving as artistic director for two regional youth choirs. In 2022, he was appointed conductor of the Dallas Symphony Children's Chorus Mixed Ensemble for grades 9-12. His professional memberships include ACDA, AGO, TMEA, NAfME, and ASCAP.

Why we love this

Johnson writes with a gift for balancing emotional weight with accessibility. This octavo sits at that sweet spot where the text carries real substance without overwhelming singers who are still developing their interpretive maturity, making it ideal for choirs ready to tackle something meaningful but not overly complex.

What to expect

The piece unfolds with quiet dignity, letting the poetry lead the emotional journey rather than overselling sentiment. There's a contemplative quality throughout, marked by Johnson's careful harmonic choices and his refusal to oversimplify the text's meaning.

Who it's for

This work suits advanced high school and collegiate choirs, as well as community and church choirs with secure intonation and basic part independence. Directors seeking a piece with genuine artistic substance for festival or concert performance will find the scope and maturity here.

How to get the most out of it

  • Balance the inner voices carefully in the harmonic passages; with 10 pages of material, the alto and tenor lines contain the real architectural interest and shouldn't disappear under soprano and bass.
  • Allow the text to breathe at phrase endings rather than rushing through punctuation. Johnson's setting rewards singers who give themselves permission to think in complete poetic thoughts.
  • Consider where dynamic contrasts naturally occur with the text. The poetry itself suggests peaks and valleys that the choral writing supports.

How to use it

Pair this with other introspective works for a program that prizes emotional honesty over showmanship, or use it as the emotional anchor of a concert featuring varied styles. The 10-page length makes it substantial enough to stand alone as a concert centerpiece without dominating a full program.

Skills your students will build

  • Reading and sustaining longer phrase lines with consistent air support
  • Interpreting text with nuance rather than literalism
  • Balancing four-part harmony where no voice is expendable
  • Blending vowels across changing harmonic contexts

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