If I Were A Bell (from Guys And Dolls) (arr. Kirby Shaw) Sheet Music Preview

If I Were A Bell (from Guys And Dolls) (arr. Kirby Shaw): SAB Choral Octavo

Arranged by Kirby Shaw

Item: 35-DS01478809

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS01478809

More about this title

About the Arranger: Kirby Shaw

Kirby Shaw

Kirby Shaw's work has shaped choral music education across the globe. With formal training in choral composition and conducting, he brings decades of teaching experience to every arrangement he creates, from his early years in Mt. Shasta public schools to his current role directing the Jefferson State Choral Coalition at Southern Oregon University. His career has included founding and directing award-winning vocal jazz ensembles at multiple universities and collaborating with jazz vocalists including Bobby McFerrin, Al Jarreau, and Jon Hendricks.

Shaw's prolific output speaks for itself: more than 2,500 arrangements and compositions in print, nearly 20 million copies sold worldwide, and consistent recognition through ASCAP awards. His work reaches choirs across North America, Europe, and beyond, balancing accessibility with musical depth. Beyond arrangements, he co-authored an original musical adaptation of A Christmas Carol with his wife Markita.

Why we love this

Shaw's arrangement captures the sophisticated charm of this Guys and Dolls standard while respecting the technical and musical capabilities of three-part choirs. The voicing sits comfortably across the SAB range without sacrificing the song's shimmer and wit, making it equally rewarding for singers and audiences.

What to expect

Bright, giddy, and full of romantic overstatement. The melody soars with the kind of innocent optimism that makes this song so timeless, while the harmony provides just enough sophistication to keep mature audiences engaged. You're building something infectious that your singers will enjoy performing night after night.

Who it's for

Any SAB choir looking to add a well-crafted Broadway standard to their repertoire. The arrangement works equally well in spring pops concerts, community programs, or competitions seeking material with genuine musical substance.

How to get the most out of it

  • Bring out the song's rhythmic playfulness by keeping the ensemble aligned on the syncopated figures; this requires precise counting but shouldn't feel heavy.
  • Let the lyrics breathe. The humor in Loesser's writing depends on crisp articulation and clear diction, especially on the more rapid passages.
  • Balance the parts so the soprano line sings through without overshadowing the harmonic movement in the alto and bass lines.

How to use it

This fits naturally into a Broadway or American songbook concert segment, where it can stand alone or pair with other Loesser standards. It also works as a program brightener between heavier classical selections or as a confident opener that immediately establishes a warm connection with your audience.

Skills your students will build

  • Balancing ensemble blend while maintaining line independence in three-part harmony
  • Executing rhythmic accuracy in syncopated passages common to musical theater
  • Sustaining vocal line clarity through rapid text declamation
  • Interpreting legit Broadway vocal style while maintaining choral blend

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