If I Only Had a Brain (Scarecrow Dance) (from <I>That's Entertainment</I>) Cover Image

If I Only Had a Brain (Scarecrow Dance) (from <I>That's Entertainment</I>): Piano/Vocal/Chords Sheet

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If I Only Had a Brain (Scarecrow Dance) (from <I>That's Entertainment</I>) Cover Image

If I Only Had a Brain (Scarecrow Dance) (from That's Entertainment): Piano/Vocal/Chords Sheet

Lyric by E. Y. Harburg, music by Harold Arlen

Item: 00-T1420IPV

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Additional Details
Publisher: Alfred Music
Page Count: 6
UPC: 029156220698
SKU: 00-T1420IPV

More about this title

About the Composer: Harold Arlen

Harold Arlen (1905-1986) composed some of the twentieth century's most enduring theatrical melodies, with a gift for writing songs that became standards long after their film or stage debuts. His collaborations with lyricist E.Y. Harburg produced some of American popular music's most recognizable work, including the entire score for The Wizard of Oz. Arlen's melodic generosity and harmonic sophistication made him a favorite among jazz musicians and interpreters across genres.

Beyond his legendary film work, Arlen wrote extensively for Broadway and contributed songs to dozens of motion pictures. His music is marked by memorable hooks, warm harmonic language, and a theatrical flair that serves both singers and accompanists. For music educators, Arlen's catalog offers accessible yet sophisticated material that teaches songwriting craft while remaining genuinely enjoyable to perform.

Why we love this

This is a character moment that swings, making it ideal for students learning to accompany dramatic singing with rhythmic independence. The piano part gives you genuine material to work with: chord changes that teach harmonic function, a groove that requires attention to accompaniment texture, and space for singers to explore comedic timing and emotional nuance. It's the kind of golden-age song that reminds pianists why they wanted to learn the instrument in the first place.

What to expect

Wistful and comedic by turns, this song captures a character trying to convince himself (and everyone listening) that what he lacks is purely intellectual. The melody moves with a gentle, almost vaudeville charm, dipping into introspection before bouncing back into the dance rhythm. It's tender without being sentimental, funny without cynicism, and surprisingly moving for a song about wanting a brain.

Who it's for

Pianists accompanying singers in recitals, theater programs, or auditions who want repertoire with real character and humor. This works equally well for music theater students building a standards repertoire and for experienced collaborative pianists seeking material that engages both performer and audience. Vocalists preparing audition material or concert selections will find a song that showcases personality alongside musical control.

How to get the most out of it

  • Support the lyrical melody in the verse without overwhelming it; the humor comes through clearer when the accompaniment stays conversational rather than bombastic.
  • Lock the rhythmic pulse in the dance sections so singers can play with the timing freely. A solid, swinging foundation gives performers permission to stretch phrases for comedy.
  • Voice the chords in the middle register where they won't conflict with the melody or muffle the vocal line. Clarity of harmonic progression is part of the appeal.
  • Listen to classic recordings (Buddy Ebsen from the original film, or later interpretations by pop singers) to understand how different performers shape the comic beats and emotional shifts.

How to use it

Program this alongside other songs from classic films or songbooks as part of a standards recital, or use it to add theatrical flair and humor to a mixed vocal concert. It pairs well with other Golden Age theater repertoire and works beautifully in cabaret settings. Consider it for music theater audition coaching or as part of a lesson sequence exploring comedic song interpretation.

Skills your students will build

  • Accompanying a vocalist with rhythmic independence between hands
  • Interpreting jazz-inflected harmonic progressions and chord extensions
  • Balancing melody support with harmonic clarity in ensemble voicing
  • Using rhythm and groove to serve a character's emotional arc
  • Collaborating responsively with a singer's phrasing and dramatic choices

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