If I Have My Ticket: 1st Trombone Sheet Music Preview

If I Have My Ticket: 1st Trombone: Choral SoundPax

Based on an American Spiritual / arr. Donald Moore

Item: 00-PC-0000759_TN1

Digital Download
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Description
Parts included are: a. sax., t. sax., tpt., tbn., rhy.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, If I Have My Ticket: 1st Trombone: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 20
SKU: 00-PC-0000759_TN1
Instrumentation: a. sax., t. sax., tpt., tbn., rhy.

More about this title

About the Arranger: Donald Moore

Donald Moore

Donald Moore earned his Bachelor of Music in organ performance and Master of Arts in Teaching from Kent State University. He serves as Organist-Choirmaster at Pilgrim United Church of Christ in Cuyahoga Falls, Ohio, and has established himself as one of the most prolific voices in American choral music, with over 500 compositions published across major houses including Alfred Music, Hal Leonard, and Heritage Music Press.

Moore's output spans sacred, secular, educational, and pop choral works alongside organ and piano compositions, plus eight instructional books. His works appear regularly at state contests and festivals and have been recognized at state, regional, national, and international conventions. He is a seventeen-time recipient of the ASCAP Composers Standard Award and was recently recognized by the American Choral Directors Association Choral Journal as one of 400 composers of lasting significance in American choral history. Beyond music, Moore is an accomplished competitive midget car racer.

Why we love this

Moore's arrangement honors the spiritual's roots while building in accessible instrumental color that enhances rather than overshadows the choral writing. The inclusion of saxophone, trumpet, and trombone parts gives your ensemble options to deepen the sound without requiring a full orchestra, making this a smart choice for programs that want sophistication without complexity.

What to expect

The arrangement brings warmth and accessibility to a spiritual foundation, with saxophone and brass adding depth without heaviness. The texture feels modern and engaging, inviting both singers and listeners into a piece that respects its roots while embracing ensemble collaboration.

Who it's for

Choirs looking to add a spiritual with contemporary instrumental color to a concert or worship service. This works well for intermediate to advanced community choirs, church choirs seeking fresh arrangements of familiar material, and high school or college ensembles wanting accessible yet sophisticated sacred repertoire.

How to get the most out of it

  • Balance the wind parts as supportive texture rather than soloistic features; let the choir's voice lead the storytelling.
  • Spend rehearsal time locking the rhythm section (bass and harmony instruments) before layering in the brass and reeds, which creates a stable harmonic foundation.
  • Work the recorded accompaniment into rehearsals early so singers hear how their parts sit within the full texture, especially for blend with the saxes.

How to use it

Position this in a concert featuring spirituals or sacred music, either as a solo work or paired with other arranged spirituals to create thematic programming. It also works beautifully in worship settings where instrumental accompaniment complements congregational participation.

Skills your students will build

  • Blending voices with wind instruments in an ensemble setting
  • Responding to saxophone and brass color while maintaining phrase shape
  • Reading and balancing independent lines within a spiritual arrangement

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