If I Can Sing Cover Image

If I Can Sing: PianoTrax Digital Audio Download

$9.99 USD
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If I Can Sing Cover Image

If I Can Sing: PianoTrax Digital Audio Download

Words by Sara Teasdale, music by Lon Beery

Item: 00-A-00014670

$9.99
Digital Download
Description

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
SKU: 00-A-00014670

More about this title

About the Composer: Lon Beery

Lon Beery

Lon Beery brings real classroom experience to every piece he writes. As chorus director at Spry Middle School in Webster, New York, he leads six separate choruses with a combined enrollment of 500 students, giving him deep insight into what works with young singers across multiple ability levels.

Beyond the rehearsal room, Beery has established himself as a prolific composer and arranger with over 50 published works appearing in catalogs from Alfred Music and BriLee. His TTBB composition I Believe was performed by the U.S. Army Chorus at President Ronald Reagan's internment service, and his choral works have earned multiple ASCAP Standard Awards. He regularly contributes to professional discourse through articles in the Choral Journal and Music Educators Journal, and serves as Middle School Chair for New York ACDA.

Why we love this

Beery writes with a clear sense of what middle and high school singers actually need to develop musically and emotionally. The recorded accompaniment gives you instant flexibility for sectional rehearsals, solos, or full-group performance without hunting for a pianist or spending rehearsal time at the keyboard.

What to expect

A song that speaks to personal resilience and hope. The text and music together create an intimate moment that invites singers to connect emotionally while remaining vocally manageable.

Who it's for

This piece suits middle school and early high school choirs looking for accessible, meaningful secular repertoire. It works for programs wanting a recorded accompaniment option for flexibility in rehearsal and performance.

How to get the most out of it

  • Reference the recorded accompaniment early in rehearsal so singers hear the harmonic context and phrasing before focusing on their own lines.
  • Let individual singers or small groups perform against the recording to build confidence with the full accompaniment sound.
  • Use the accompaniment as a learning tool during sectionals, then pull it back in later rehearsals so the choir owns the musicality independently.

How to use it

Place this in a spring concert celebrating growth and student voice, or use it as a confidence-builder in ensemble rotations where younger singers perform alongside more experienced choirs. It also serves well as a solo or small-group feature within a larger choral program.

Skills your students will build

  • Singing with intentional phrasing over accompaniment
  • Responding to recorded audio cues and entrances
  • Sustaining emotional expression in secular text
  • Balancing individual voice with blend

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