I Won't Give Up (arr. Hans Reintjes) Sheet Music Preview

I Won't Give Up (arr. Hans Reintjes): SAB Choral Octavo

As performed by Jason Mraz / Arranged by Hans Reintjes

Item: 35-DS00497254

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Additional Details
Publisher: Hal Leonard
Page Count: 99
SKU: 35-DS00497254

More about this title

About the Artist: Jason Mraz

Jason Mraz built his career on infectious optimism and genre-blending songwriting, moving fluidly between pop, reggae, and folk influences. His 2012 single "I Won't Give Up" became one of his signature compositions, resonating across audiences for its genuine emotional sincerity beneath the upbeat production.

Why we love this

Hans Reintjes has crafted an arrangement that preserves the song's melodic warmth while opening it up for three-part voices to shine independently. The pop sensibility remains intact, making this an accessible entry point for choirs looking to program contemporary material without sacrificing musicality or part writing that actually develops singers' ears.

What to expect

Warm and hopeful without veering into sentimentality. The arrangement preserves the song's intimate quality, allowing singers to connect emotionally while maintaining the laid-back groove that defines the original.

Who it's for

Choirs ranging from high school to community ensembles who want to program popular music with genuine musical substance. This works for groups comfortable with pop idioms and looking to explore contemporary songwriting that sits well on the page.

How to get the most out of it

  • Balance the alto line carefully in the opening passages; it carries important harmonic color that can disappear if sopranos overshadow.
  • Let the rhythmic pocket breathe. This song lives in a conversational space, so avoid driving the tempo forward unnaturally.
  • Shape the phrase contours by listening to how individual sections rise and fall rather than treating dynamics as uniform across all three parts.
  • The recorded accompaniment provides both a harmonic anchor and a guide to tone quality; use it during rehearsal to help singers hear where their voices sit in the overall texture.

How to use it

Pair this with other contemporary pop arrangements for a full concert devoted to modern songwriting, or use it as an audience favorite that bridges the gap between traditional repertoire and songs your singers actually hear on the radio. It also works as a meaningful closer for a spring concert.

Skills your students will build

  • Singing contemporary pop idioms with rhythmic precision and legit tone
  • Balancing three independent vocal lines with distinct harmonic functions
  • Shaping phrasing in a rhythmically driven context while maintaining musical flow
  • Blending SAB voicing to support collective tuning and resonance

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