I Wish You Love: Choral Instrumental Pak
By Gloria Lynne / By Charles Trenet / By Albert A. Beach / Arranged by Ed Lojeski
Item: 35-PK00224402
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| Product | Price | Quantity |
|---|---|---|
| I Wish You Love - Synthesizer: Choral Instrumental Pak | $7.00 | |
| I Wish You Love - Guitar: Choral Instrumental Pak | $7.00 | |
| I Wish You Love - Bass: Choral Instrumental Pak | $7.00 | |
| I Wish You Love - Drums: Choral Instrumental Pak | $7.00 |
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More about this title
About the Composer: Gloria Lynne
Gloria Lynne was an acclaimed jazz vocalist whose rich, expressive voice made her a fixture in American jazz clubs and concert halls from the 1950s onward. Though she composed relatively few works, her artistry and interpretive gifts shaped the jazz standards repertoire that emerged during her era, influencing how subsequent generations approached these beloved songs.
Why we love this
Ed Lojeski's arrangement transforms a well-worn standard into something that feels both sophisticated and accessible for mixed choirs. The quasi-classical touches and echoes of Beethoven give singers something genuinely interesting to sink into, while the nearly four-minute arc allows for real narrative and emotional development without becoming unwieldy.
What to expect
Elegant and introspective, with a gentle wistfulness that never tips into sadness. The arrangement wraps familiar melody in refined harmony, creating an atmosphere that feels like settling into a quiet moment of reflection where hope still lives beneath the surface.
Who it's for
This works beautifully for concert choirs seeking sophisticated jazz-inflected repertoire that reaches beyond the typical swing charts. It's especially valuable when you want to program something recognizable and meaningful without resorting to pop arrangements or purely classical material.
How to get the most out of it
- Balance the ensemble sound with the rhythm section so the harmony emerges clearly; this isn't a pop arrangement, and the choral lines deserve weight without drowning the accompaniment.
- Approach the nostalgic quality as wistfulness rather than sentimentality. Think of the mood as reflective and hopeful, not melancholic.
- Let the accompaniment establish the quasi-classical character early; the piano's suggestions of the 'Moonlight Sonata' should frame how the choir understands its own phrasing and dynamics.
How to use it
Pair this with other mid-century standards or classical crossover pieces to build a concert section that celebrates the American songbook with real musical substance. Its moderate length makes it an excellent choice for a spring concert where you want to include a thoughtful ballad without losing momentum.
Skills your students will build
- Singing jazz-inflected phrasing in a classical context
- Balancing blend with emotional expression in ensemble ballads
- Understanding rubato and subtle dynamic shaping
- Responding to harmonic sophistication in jazz voicing
- Sustaining tone and intonation through longer musical phrases