I Wish I Didn't Love You So (from The Perils of Pauline) Sheet Music Preview

I Wish I Didn't Love You So (from The Perils of Pauline): E-Z Play Today

As performed by Dinah Shore

Item: 35-DS00453521

Digital Download
$4.99
Description

I Wish I Didn't Love You So (from The Perils of Pauline): E-Z Play Today isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 3
SKU: 35-DS00453521

More about this title

About the Artist: Dinah Shore

Dinah Shore (1916-1994) was one of the most versatile entertainers of the mid-20th century, equally at home in jazz standards, pop ballads, and theatrical material. Her warm contralto voice and impeccable phrasing made her a fixture on radio, in film, and on television, where her variety show became a cultural touchstone. Shore's interpretations of American songbook classics demonstrated how to deliver a lyric with both emotional authenticity and technical precision.

As an educator's reference point, Shore exemplifies the jazz vocalist who understood harmonic language deeply enough to reshape melodies while respecting their core intent. Her recordings remain essential listening for students studying vocal jazz interpretation and the art of accompaniment.

Why we love this

This E-Z Play arrangement captures a song that sits perfectly at the intersection of jazz sensibility and theatrical storytelling. The three-page format keeps the scope manageable while preserving the harmonic sophistication that makes this tune worth learning. It's an excellent choice for pianists who want to tackle jazz standards without overwhelming technical demands.

What to expect

Wistful and intimate, this song radiates the bittersweet ache of longing that defined 1940s theatrical ballads. The melody sits naturally in the pianist's hand while the harmony suggests enough chromaticism and color to feel genuinely jazz informed, not oversimplified.

Who it's for

Pianists approaching jazz standards for the first time will find this arrangement accessible yet authentic. It works well for intermediate players who've developed chord reading skills and want to explore the Great American Songbook without drowning in complex reharmonization.

How to get the most out of it

  • Treat the rubato as conversational rather than metronomic. The melody wants space to breathe, especially on longer note values, so listen to Shore's original phrasing before locking into a strict tempo.
  • Voice the left hand with clarity and intentionality. Even simplified jazz voicings reveal harmonic movement better when each chord registers distinctly rather than blurring together.
  • Shape the dynamics across full phrases rather than single measures. The emotional arc of this song unfolds over 4 or 8 bars, so plan your volume trajectory accordingly.

How to use it

Include this in a concert exploring jazz standards from classic films, pairing it with other material from the same era. It also serves as a bridge piece in a recital program, offering something lighter and more personal than heavier classical or jazz fusion selections.

Skills your students will build

  • Reading lead sheet notation and slash chord symbols
  • Voicing jazz triads and seventh chords in various inversions
  • Balancing melody prominence with harmonic accompaniment
  • Interpreting rhythmic flexibility and rubato within a jazz idiom
  • Understanding the relationship between vocal phrasing and piano accompaniment

You May Also Like