By Matt Maher / By Chris Tomlin / By Jesse Reeves / Arranged by Dennis Allen
Item: 35-DS00134532
Digital Download
$2.99
Minimum order quantity: 10 copies
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Description
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Matt Maher is a Grammy nominated singer-songwriter and worship leader whose compositions have become staples in contemporary Christian music. His work bridges congregational accessibility with sophisticated harmonic language, making him a trusted voice in both church and concert settings.
As a composer, Maher demonstrates a gift for writing melodies that lodge in the listener's mind while supporting them with arrangements that challenge and engage singers of varying abilities. His collaborations with established worship writers like Chris Tomlin have produced songs that resonate across denominational lines and musical contexts.
Why we love this
This arrangement by Dennis Allen captures the emotional arc of the original with transparency that lets your singers shine rather than burying them in thick voicing. The contemporary idiom feels genuinely singable for mixed ensembles while maintaining enough harmonic interest to justify a concert program alongside more traditional sacred works.
What to expect
The arrangement radiates quiet conviction that builds toward affirmation. Voices move in natural, speech-like rhythms before opening into fuller harmonic moments that feel earned rather than imposed, creating a sense of rising momentum that mirrors the text.
Who it's for
This octavo serves choirs seeking accessible yet meaningful contemporary Christian repertoire that works equally well in worship settings and concert programs. It suits developing choirs ready to move beyond unison singing but not yet equipped for complex divisi passages.
How to get the most out of it
Balance the soprano line carefully in the opening phrases; it should soar without straining, so work on breath placement and resonance in the head register during rehearsals.
Treat rhythmic unison moments as opportunities to lock the ensemble's sense of pulse; these passages ground the arrangement before it shifts texturally.
Shape dynamic changes deliberately rather than falling into a generic crescendo pattern. The text's emotional content should drive each dynamic gesture.
Secure the alto and tenor parts independently before full ensemble work. These middle voices often carry crucial harmonic movement in contemporary arrangements.
How to use it
Pair this with traditional hymn settings to demonstrate how contemporary songwriting extends the sacred choral tradition. It also works beautifully as a closing piece on a mixed concert, where its hopeful character can send the audience out with a sense of uplift.
Skills your students will build
Singing sustained lines with breath control across longer phrases
Moving between homophonic and imitative textures
Interpreting contemporary rhythmic notation with precision
Balancing ensemble blend when one voice carries the melody
Connecting text meaning to dynamic and expressive choices
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