I Will Get There (from The Prince of Egypt): SATB Choral Octavo

This arrangement captures the earnest, hopeful energy of a DreamWorks animated feature while remaining accessible to high school and community choirs. Jeff Funk's voicing balances contemporary pop sensibility with solid four-part writing, making it gratifying to sing without requiring advanced harmonic technique. Programming it opens a door to film music that resonates with younger singers and general audiences who know the movie.

The piece carries an inspiring, uplifting quality that mirrors the film's narrative arc. Warm harmonies support a straightforward melody that feels both modern and genuinely melodic, creating a sense of determination and hope without veering into sentimentality.

This octavo works well for high school choirs, community choirs, and church music programs seeking contemporary repertoire with crossover appeal. Singers familiar with the film or the Boyz II Men recording will engage immediately with the material, while directors can use it to build interest in choral music among students who typically gravitate toward pop and R&B.

• Lean into the rhythmic drive of the optional rhythm section parts; even without live instrumentation, the printed arrangement benefits from a clear, steady pulse that captures the song's contemporary style.
• Balance the ensemble sound by checking that no single voice part dominates during the verses; this piece works best when all four parts blend as a cohesive whole before opening up in the chorus.
• Shape the phrasing by thinking of it as a pop song, not a traditional hymn; allow for natural breath points rather than strict phrase endings, and let the text guide where voices can sustain or drop away.

This works beautifully as part of a film music or popular music concert, paired with other movie soundtracks or contemporary secular pieces. It can also anchor a program built around songs of hope and perseverance, offering a familiar touchstone that invites audiences into the concert experience.

• Blending four-part pop harmony with maintained individual line integrity
• Singing with rhythmic precision in a contemporary, groove-oriented style
• Shaping phrase phrasing in popular music contexts while maintaining emotional authenticity
• Balancing ensemble dynamics across multiple vocal parts in a homophonic texture