I Will Follow Him: String Orchestra Conductor Score & Parts
By Del Roma / By J.W. Stole / Arranged by Larry Moore
Grade: 2-3
Item: 35-PK00096240
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| I Will Follow Him - Full Score | $6.00 | |
| I Will Follow Him (I Will Follow You) | $7.00 | |
| I Will Follow Him (I Will Follow You) | $7.00 | |
| I Will Follow Him - Violin 3 (Viola Treble Clef) | $7.00 | |
| I Will Follow Him - Viola | $7.00 | |
| I Will Follow Him - Cello | $7.00 | |
| I Will Follow Him - Bass | $7.00 | |
| I Will Follow Him - Percussion | $7.00 | |
| I Will Follow Him - Piano | $7.00 |
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More about this title
Why we love this
Larry Moore's arrangement captures what made this tune infectious in the first place: clear melodic hooks that sit beautifully in the string section and rhythmic vitality that doesn't require advanced technique to execute. At Grade 2-3, students get to play something they actually recognize and enjoy, which translates into genuine engagement during rehearsals and performances.
What to expect
Upbeat and infectious, with the unmistakable groove of 1960s pop production. The orchestration brings warmth and momentum to a tune that audiences recognize instantly, creating that satisfying moment when a concert audience hears something they actually know.
Who it's for
String orchestras at the intermediate level seeking a modern pop arrangement with immediate appeal. This works equally well for directors building confidence in younger ensembles or looking to program something that connects with students' own musical world.
How to get the most out of it
- Keep the rhythmic pulse crisp and steady throughout. The Motown groove depends on precision from your lower strings, so lock the bass line early and build the rest of the ensemble around it.
- Shape the melody with clear phrasing rather than playing it straight. The song's hooks land hardest when violins give them slight emphasis and direction.
- Let the sixties feel breathe. Avoid over-polishing; a little looseness in the attack actually serves the style better than perfect uniformity.
- Balance the parts so the hook stays audible. With multiple divisi sections, confirm that your first violins aren't buried by accompanying material in the middle voices.
How to use it
Pair this with other pop or crossover arrangements in a concert focused on accessibility and contemporary appeal. It also works as a strong opener or closer when programming variety; the two-minute-fifteen duration fits neatly into themed concerts or pops repertoire.
Skills your students will build
- Maintaining groove and rhythmic precision in syncopated figures
- Balancing melody and accompaniment in divisi textures
- Interpreting style markers of pop and Motown idioms
- Ensemble cohesion while playing melodically engaging material