I Will Dream Of You, Doraji (Based on Two Korean Folk Melodies) Sheet Music Preview

I Will Dream Of You, Doraji (Based on Two Korean Folk Melodies): 2-Part Choral Octavo

Arranged by Mary Donnelly and George L.O. Strid

Item: 35-DS00447390

Digital Download
$2.50
Description

I Will Dream Of You, Doraji (Based on Two Korean Folk Melodies): 2-Part Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00447390

More about this title

About the Arranger: Mary Donnelly and George L.O. Strid

Mary Donnelly and George L.O. Strid have built a collaborative reputation for accessible choral arrangements that honor cultural traditions while remaining singable for developing ensembles. Their work spans folk material from around the world, consistently finding the emotional core of each melody and reimagining it for contemporary choirs.

Their arrangements prioritize clarity and musicality over technical difficulty, making them fixtures in middle school and early high school choral programs. By pairing authentic melodic sources with thoughtful harmonic settings, they've created a catalog that teaches singers to respect and engage with music beyond the Western classical canon.

Why we love this

This arrangement captures the lyrical sweetness of Korean folk melody while remaining well within the technical reach of younger choirs. The two-part voicing breathes space into the score, allowing singers to focus on tone quality and emotional delivery rather than navigating complex harmony. It's the kind of piece that reminds students why choral singing matters.

What to expect

The piece unfolds with a quiet, reflective quality. The two melodies intertwine with the gentle nostalgia of folk song while maintaining enough space that singers can breathe and find their own connection to the music. It feels intimate rather than grand.

Who it's for

This work suits middle school and beginning high school choirs seeking culturally representative repertoire that doesn't demand advanced vocal technique. It's equally valuable for directors building multicultural concert programming or introducing singers to non-Western melodic traditions.

How to get the most out of it

  • Shape the melody with gentle dynamic contours that follow the natural phrasing of the text. Korean folk melodies often benefit from a singing style that avoids hard attacks and favors connected legato lines.
  • Balance the parts so the primary melody remains audible; the second part should support rather than compete. This clarity is especially important if you're performing for an audience unfamiliar with the tune.
  • Attend to any text underlay carefully. If the piece sets Korean text alongside English, make sure both languages sit comfortably within your choir's vocal range and technique level.

How to use it

Position this as a centerpiece for a concert section exploring global folk traditions, or pair it with other two-part arrangements to build a concert act that celebrates choral transparency and melody. Its reflective character makes it particularly effective as a closing number or as a thoughtful counterpoint to more energetic repertoire.

Skills your students will build

  • Singing connected legato lines across phrase boundaries
  • Balancing independent melodic lines within a two-part texture
  • Interpreting and honoring cultural musical traditions
  • Sustaining tone quality over longer note values
  • Responding to emotional content in text-setting

You May Also Like