I Want You Back: Marching Band Conductor Score & Parts
By Berry Gordy / By Deke Richards / By Alphonso Mizell / By Frederick Perren / As performed by The Jackson 5 / Arranged by Michael Sweeney
Grade: 2-3
Item: 35-PK00146865
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| I Want You Back - Full Score | $8.00 | |
| I Want You Back - Flute/Piccolo | $6.00 | |
| I Want You Back - Bb Clarinet | $6.00 | |
| I Want You Back - Eb Alto Sax | $6.00 | |
| I Want You Back - Bb Tenor Sax | $6.00 | |
| I Want You Back - Eb Baritone Sax | $6.00 | |
| I Want You Back - 1st Bb Trumpet | $6.00 | |
| I Want You Back - 2nd Bb Trumpet | $6.00 | |
| I Want You Back - F Horn | $6.00 | |
| I Want You Back - Bb Horn/Flugelhorn | $6.00 | |
| I Want You Back - Trombone | $6.00 | |
| I Want You Back - Baritone B.C. (Opt. Tbn. 2) | $6.00 | |
| I Want You Back - Baritone T.C. | $6.00 | |
| I Want You Back - Tuba | $6.00 | |
| I Want You Back - Electric Bass | $6.00 | |
| I Want You Back - Bells/Xylophone | $6.00 | |
| I Want You Back - Snare Drum | $6.00 | |
| I Want You Back - Cymbals | $6.00 | |
| I Want You Back - Quad Toms | $6.00 | |
| I Want You Back - Multiple Bass Drums | $6.00 | |
| I Want You Back - Aux Percussion | $6.00 |
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Description
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More about this title
About the Composer: Berry Gordy
Berry Gordy founded Motown Records in Detroit in 1959, transforming popular music by building a label that championed Black artists and created some of the most enduring hits of the 1960s and beyond. His ear for melody, rhythm, and commercial appeal shaped the sound of a generation, and his business acumen made him one of the most influential figures in music history. As a songwriter and producer, Gordy understood what made songs stick in people's minds, a skill evident in the infectious hooks and memorable structures of his compositions.
Why we love this
Michael Sweeney captures the unmistakable energy of this Jackson 5 classic without overshooting the grade level or burying the melody under unnecessary complexity. The arrangement respects what makes the tune irresistible (that hook, that groove) while giving your band something clean to rehearse and own. It works equally well as an energetic opener or a confidence builder for mixed-ability ensembles.
What to expect
Pure pop energy wrapped in a marching band context. The arrangement radiates optimism and forward motion, with enough rhythmic drive to keep younger players engaged while remaining musically solid. It captures the infectious spirit of the original without losing its identity as a concert or parade piece.
Who it's for
Bands at the Grade 2 to 3 level looking for accessible material with genuine appeal beyond the rehearsal room. Any director programming a concert that needs to connect with audiences beyond traditional band repertoire will find this arrangement smart and effective.
How to get the most out of it
- Nail the rhythmic precision in the signature hook from the first rehearsal. This tune lives or dies on the infectious pocket, so lock the section leaders on the exact articulation and phrasing before the ensemble adds layers.
- Balance the melody against supporting voices carefully. Sweeney's writing distributes the recognizable parts across the band, so make sure lead voices cut through without drowning out the harmonic foundation underneath.
- Keep the tempo steady and slightly relaxed rather than pushing for speed. The charm of this arrangement relies on the band feeling the groove, not rushing to prove how fast they can play it.
- Pay attention to dynamic contrast within repeated sections. Small changes in volume or tone color between iterations of the main riff keep the arrangement fresh and prevent the performance from sounding one-dimensional.
How to use it
Open a concert with this piece to grab attention and set a celebratory tone immediately. It pairs well in a program that mixes standards with contemporary repertoire, serving as a bridge between classical traditions and music that lives in your students' actual cultural world.
Skills your students will build
- Maintaining consistent pulse and feel across repeated melodic figures
- Balancing melodic clarity with harmonic support
- Articulation control in syncopated rhythmic passages
- Responding to conductor cues for dynamic variation in familiar material