I Want A Hippopotamus For Christmas (Hippo The Hero): SATB Choral Octavo
By John Rox / Arranged by Deke Sharon
Item: 35-DS00132728
Digital Download
$2.99
Minimum order quantity: 10 copies
Please note: Under U.S. copyright law, you must purchase the exact number of copies needed for your ensemble. Printing, duplicating or sharing additional copies is strictly prohibited.
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Description
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Deke Sharon's arrangement captures the infectious absurdity of the original while giving SATB choirs genuine musical substance to work with. The humor lands without sacrificing ensemble blend or vocal writing that actually challenges and rewards your singers.
What to expect
Playful and slightly irreverent, with the kind of earnest charm that makes audiences smile without winking too hard at the joke. The arrangement honors the original's catchiness while creating moments of genuine four-part harmony.
Who it's for
Directors seeking a secular holiday novelty that works for concert or casual settings without embarrassing your ensemble. Choirs with solid blend and rhythmic control can execute this effectively; it rewards preparation.
How to get the most out of it
Lean into the rhythmic precision of the text. The comedy relies on crisp diction and locked ensemble attacks, so rehearse sections by syllable before worrying about intonation.
Balance the comedic intent with genuine musicality in phrase shape. This isn't novelty singing; treat dynamic arcs and legit connections between phrases seriously.
Let individual sections own their moments. The arrangement likely features divisi or section spotlights, so build confidence in each voice part's musical independence.
How to use it
Include this as a closer on a holiday concert to send audiences out laughing, or feature it in a lighter December pops program where the contrast with traditional selections becomes an asset. At seven pages, it's substantial enough to command a spot without overwhelming your rehearsal schedule.
Skills your students will build
Rhythmic precision and ensemble synchronization in fast text-driven passages
Comedic timing and intentional textual delivery across four voices
Balancing blend with section clarity in divisi writing
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