I Walked The Boulevard (From 'The City And The Sea') Sheet Music Preview

I Walked The Boulevard (From 'The City And The Sea'): SATB Choral Octavo

As performed by Eric Whitacre

Item: 35-DS00333739

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Additional Details
Publisher: Hal Leonard
Page Count: 6
SKU: 35-DS00333739

More about this title

About the Artist: Eric Whitacre

Eric Whitacre has become one of the most performed living composers, known for choral works that blend classical sophistication with emotional directness. His output spans concert music, film scores, and educational pieces, all marked by lush harmonic writing and accessibility that doesn't compromise artistic depth.

Whitacre's approach to choral composition emphasizes beauty of sound and singability without sacrificing compositional integrity. His works appear regularly on festival programs and in concert halls worldwide, making him a central figure in contemporary choral music.

Why we love this

Whitacre captures the atmosphere of urban solitude with harmonic language that feels both modern and deeply expressive. The text setting allows singers to phrase naturally while the four-part writing offers engaging independence for each section.

What to expect

Walking through a city at twilight, observing the architecture and rhythm of urban life with a mixture of wonder and quiet reflection. Whitacre's harmonies drift and settle, creating moments of stark beauty within the everyday.

Who it's for

This octavo serves choirs with solid intonation and comfort reading in multiple keys. It works especially well for advanced high school groups or community choirs seeking contemporary classical repertoire with emotional substance.

How to get the most out of it

  • Shape the harmonic progressions with careful attention to voice leading; each line should sing through without forcing dynamics beyond what the music suggests.
  • Balance the texture so no single voice dominates; this work thrives when all four parts contribute equally to the overall color.
  • Consider how silence functions in the piece; rests are compositional choices, not empty space.

How to use it

Pair this with other contemporary pieces to build a set exploring modern responses to place and environment. Its modest demands in terms of range and technical difficulty make it a strong anchor work for a concert built around accessibility without artistic compromise.

Skills your students will build

  • Sustaining independent melodic lines within a harmonic texture
  • Ensemble intonation in contemporary harmonic language
  • Sensitive text declamation and phrasing across longer phrases
  • Balance and blend in four-part writing with equal voice importance

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