(I've Had) The Time Of My Life (arr. Deke Sharon) Sheet Music Preview

(I've Had) The Time Of My Life (arr. Deke Sharon): SATB Choral Octavo

As performed by Bill Medley Jennifer Warnes / As performed by Bill Medley / Arranged by Deke Sharon

Item: 35-DS00283704

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Additional Details
Publisher: Hal Leonard
Page Count: 4
SKU: 35-DS00283704

More about this title

About the Artist: Bill Medley Jennifer Warnes

Bill Medley and Jennifer Warnes became forever linked through their 1987 duet that became the signature song of Dirty Dancing. Medley, a founding member of The Righteous Brothers, brought his deep, resonant baritone to countless hits across five decades of recording. Warnes established herself as a versatile vocalist across pop, country, and musical theater before her iconic collaboration with Medley.

Why we love this

Deke Sharon's arrangement captures the emotional sweep of this mega-hit while remaining accessible for developing SATB ensembles. The four pages demand genuine musicality from singers without requiring advanced vocal technique, making it an ideal vehicle for teaching how to balance pop sensibility with choral blend. Audiences recognize this song instantly, which means your ensemble gets to experience the satisfaction of performing something universally loved.

What to expect

The arrangement unfolds with tender vulnerability, then builds into soaring, full-voiced declarations of affection. The harmonic language sits comfortably in a pop idiom while maintaining the warmth and ensemble cohesion that defines strong choral singing.

Who it's for

This octavo works for intermediate choirs seeking repertoire that connects with student and audience alike. It's particularly well suited to groups looking to program something contemporary and recognizable without sacrificing musical integrity.

How to get the most out of it

  • Shape the opening phrases with rubato; let the text breathe rather than locking rigidly into the pulse
  • Balance the melody across voice parts as it passes around the texture; avoid letting soprano lines overshadow the whole group
  • Treat the key moments of harmonic change as emotional peaks, bringing forward just enough dynamic support to highlight the progression without forcing
  • Mark breath points in rehearsal and ensure all singers commit to the same ones to maintain phrase continuity

How to use it

Include this in a pops or spring concert where it can serve as a moment of genuine emotional connection; audiences appreciate hearing familiar material rendered with care. It also works beautifully as a contrast piece in a concert mixing classical and contemporary styles, demonstrating your ensemble's range.

Skills your students will build

  • Balancing melody across multiple voice parts
  • Sustaining long phrases with breath control
  • Blending pop idiom with choral sound
  • Dynamic shaping within a contemporary harmonic context
  • Maintaining musical integrity while performing recognizable material

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