I've Got You Under My Skin: Vocal Solo with Jazz Ensemble Conductor Score & Parts

Dave Wolpe's arrangement honors Sinatra's definitive interpretation while giving your ensemble room to shine around the vocalist. The flexibility of two keys means you can cast the right vocalist regardless of range, and the trombone solo in the shout chorus provides a natural focal point for your horn section. This is a polished, sophisticated addition to any jazz program that doesn't require students to compromise on musicianship.

Sophisticated and suave, with the swagger of a late-night jazz club. The melody floats over a swinging, tight ensemble backdrop, inviting the vocalist to play with phrasing and dynamics while the arrangement builds toward its energetic shout chorus. This is Cole Porter at his most elegant, filtered through the jazz vernacular.

Jazz ensemble directors seeking a genuine swing vocal vehicle that challenges both vocalist and band. Singers with secure range in either E-flat or B-flat who can navigate the song's harmonic sophistication and sell its romantic narrative with confidence. Programs that value arranging craft and want a standard that audiences recognize and musicians respect.

• Balance the vocalist against the ensemble; the rhythm section should sit back enough that the singer's phrasing and lyrical interpretation remain the focus throughout.
• Shape the trombone solo with dynamic contrast and clear articulation to make it land as a genuine moment of ensemble spotlight, not a transition.
• Listen carefully to how the piano comps during the vocal melody, especially in the verse, and ensure the drummer responds with tasteful, minimal accompaniment that doesn't overshadow the lyric.
• Coordinate the shout chorus as a unified section moment; the ensemble needs to be locked rhythmically so the contrast between the trombone feature and the full sound is effective.

Program this as the centerpiece of a jazz concert segment, especially alongside other Great American Songbook standards or mid-century vocal features. The two-key arrangement makes it a natural encore if your spring concert features multiple singers. Position it after a few ensemble pieces so the ensemble's precision is fresh, and the vocalist can command full attention.

• Jazz time feel and rhythmic precision in a swing context
• Sectional balance and blend in support of a featured vocalist
• Responding to and interpreting a leader's phrasing and dynamic choices
• Extended jazz harmonies and changes typical of Great American Songbook repertoire
• Solo voice and ensemble interplay in jazz vocal literature