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I've Got to Play!: Book

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I've Got to Play! Cover Image

I've Got to Play!: Book

Eight Pieces for Orff Ensemble

By Tim Brophy

Item: 00-27603

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Description
I've Got to Play! is an exciting collection of eight classroom-proven original musical pieces that will fully engage your students! Written especially for Orff ensembles, I've Got to Play! is an excellent classroom resource for developing skills and musicality as students learn and practice these wonderful pieces. Easy to teach by rote or by reading, the pieces can be used as classroom exercises or as part of a program. I've Got to Play! follows the National Standards for Music Education while expanding the creative and musical potential of your students through instrumental experiences. Help your students achieve their musical best with I've Got to Play!

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Additional Details
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7390-4522-9
ISBN13: 978-0-7390-4522-0
UPC: 038081293820
SKU: 00-27603

More about this title

Why we love this

Eight original pieces written specifically for Orff ensembles mean your students are playing repertoire designed for their instruments and skill level, not adapted from elsewhere. The collection gives you flexibility to teach by rote or by reading, so you can meet students where they are developmentally. What makes this resource stand out is that it's classroom-tested, which means the pieces actually work in real settings with real ensemble experiences.

What to expect

These pieces bring energy and purpose to the Orff classroom. Students feel the satisfaction of playing complete musical ideas rather than exercises, building confidence with every rehearsal while discovering how their individual parts create unified ensemble sound.

Who it's for

Elementary and early middle school ensemble directors who teach Orff instruments and need versatile, engaging repertoire that supports both skill-building and performance. This collection works equally well for students learning to read music or developing musicality through aural transmission.

How to get the most out of it

  • Start with rote teaching for pieces that work best by ear; students internalize phrasing and articulation more naturally when they hear and mirror first.
  • Use these pieces as building blocks for larger programs; individual selections pair well with other Orff repertoire or as transitions between concert segments.
  • Rotate players between barred instruments and unpitched percussion to ensure everyone develops confidence across the ensemble sound.
  • Record rehearsals periodically so students hear their ensemble balance and intonation improve over time; this builds investment in ensemble cohesion.

How to use it

Pull individual pieces for concert programs where you need age-appropriate, audience-friendly selections that showcase student musicianship. Use the full collection across a school year as your core Orff repertoire, selecting pieces that align with seasonal themes, classroom units, or skill progression benchmarks.

Skills your students will build

  • Ensemble balance and listening across barred and unpitched instruments
  • Reading standard notation and performing by rote
  • Phrasing, articulation, and musical expression within accessible ranges
  • Hand coordination and technical accuracy on mallets
  • Collaboration and responsiveness to conductor and ensemble

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