I've Got My Love to Keep Me Warm: Choral Instrumental Pak
As performed by Benny Goodman / As performed by Irving Berlin / Arranged by Greg Jasperse
Item: 35-PK00345027
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Description
Irving Berlin's classic is presented here in a gentle, sweet groove with simple jazz vocals and soft rhythm. Beginning with an easy vocal riff, the familiar melody is accompanied by refreshed chords that lightly surprise and offer a new interpretation to this romantic, winter song.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00345027
More about this title
About the Artist: Benny Goodman
Benny Goodman (1909-1986) shaped American jazz and popular music as a bandleader, clarinetist, and innovator who brought swing to mainstream audiences. His 1938 Carnegie Hall concert became legendary, breaking racial barriers by featuring Black musicians alongside white bandmates during an era of strict segregation. Goodman's recordings and arrangements remain essential listening for understanding the big band era and its influence on vocal and instrumental phrasing.
In education, Goodman's legacy teaches musicians about ensemble precision, the importance of soloists within a collective sound, and how jazz can elevate popular song arrangements. His interpretations of standards like "I've Got My Love to Keep Me Warm" demonstrate how a skilled arranger and bandleader can refresh familiar material while honoring its core identity.
Why we love this
Greg Jasperse's arrangement respects the Irving Berlin songbook while introducing enough harmonic freshness to keep experienced singers engaged. The "gentle, sweet groove" sits perfectly between accessibility and sophistication, making it equally rewarding whether your singers are discovering this standard for the first time or revisiting it with new ears.
What to expect
Warm lamplight, intimate and unhurried. The arrangement wraps a beloved melody in soft, contemporary harmony that feels both nostalgic and present. There's romance here, but it's understated and genuine rather than grand.
Who it's for
Singers and ensembles comfortable with jazz vocabulary and light swing interpretation. This works for intermediate to advanced choral groups seeking winter repertoire that feels sophisticated without demanding virtuosity.
How to get the most out of it
- Balance the opening vocal riff so it establishes the groove without overwhelming the rhythm section; this is about conversation, not proclamation.
- Let the refreshed chords breathe. When unexpected harmonic turns arrive, give them space so the audience hears the reharmonization as intentional.
- Shape the familiar melody with the ease of someone speaking rather than performing; the sweetness comes from authenticity, not effort.
How to use it
Pair this with other winter standards for a concert that explores how different arrangers approach the same classic repertoire. Its gentle energy also makes it an effective closer for a longer program, leaving audiences with something they can hum on the way home.
Skills your students will build
- Swing rhythm and jazz phrasing in a standards context
- Hearing and responding to reharmonized melodies
- Balancing vocal line with rhythm section accompaniment
- Interpreting sheet music notation specific to jazz/popular music styles