I've Got A Dream (from Tangled) (arr. Roger Emerson): TTBB Choral Octavo

Roger Emerson's arrangement opens up this feel-good showstopper to male voices without losing the infectious charm of the original. The flexible voicing options (TB through TTBB) mean you can cast it for your specific ensemble, and the 18-page score gives you room to build dynamics and character work that lands with infectious energy.

Optimistic and buoyant, with an undercurrent of sincerity that keeps it from becoming saccharine. The piece captures that moment when a character realizes something larger is possible in their life, expressed through a melody that bounces forward with hope.

Directors working with male or mixed ensembles who want accessible repertoire with genuine crowd appeal. This arrangement serves well in concerts aimed at family audiences, school assemblies, or any program where you need a song that singers enjoy performing and audiences enjoy hearing.

• Lean into the rhythmic drive of the accompaniment; this song lives in its forward momentum rather than lyrical lingering.
• Balance the ensemble sound carefully during the main melody line so individual voices don't overshadow the group's cohesion.
• Bring out the humor in the character voices and storytelling moments; Tangled's tone thrives on charm and lightness.
• Consider how your voicing choices affect the blend in the lower register, especially if you're using TBB or TB combinations.

Pair this with other contemporary Disney or musical theater selections for a cohesive set that appeals to younger audiences and families. It works particularly well as a second-half opener after intermission, where its uplifting energy can reset the room.

• Singing in flexible voicing arrangements (adapting to TB, TTB, TBB, or TTBB)
• Character-driven interpretation of contemporary musical theater text
• Ensemble blend across extended range in male and mixed voices
• Rhythmic precision in syncopated and forward-moving accompaniment patterns