I've Found A New Baby (I Found A New Baby) Sheet Music Preview

I've Found A New Baby (I Found A New Baby): E-Z Play Today

As performed by Ted Lewis

Item: 35-DS01078878

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Additional Details
Publisher: Hal Leonard
Page Count: 3
SKU: 35-DS01078878

More about this title

About the Artist: Ted Lewis

Ted Lewis (1890-1965) was a vaudeville performer, bandleader, and entertainer who became a recording star during the jazz age. Known for his clarinet playing and showmanship, Lewis led one of the most popular dance bands of the 1920s and 1930s, recording numerous standards that defined the era.

Lewis's prolific output as a performer and recording artist made him a household name. His recordings helped popularize jazz and blues inflected popular songs, and his contributions to American music history remain documented through the hundreds of sides his bands recorded during the swing era's formative years.

Why we love this

This E-Z Play arrangement captures the playful spirit of a genuine jazz standard without overwhelming intermediate pianists. The three-page format makes it manageable for students working through early jazz repertoire, while the syncopated rhythms and bluesy inflections reward careful rhythmic work and stylistic awareness.

What to expect

Breezy and optimistic, with a lilt that makes you want to move. The melody bounces with charm, supported by harmonies that nod to jazz tradition while remaining straightforward enough for young players to navigate without constant chart consultation.

Who it's for

Students ready to move beyond classical repertoire into jazz standards and teachers seeking accessible arrangements that introduce swing vocabulary and syncopation. This works well for pianists in their second or third year of study who want to explore American songbook material.

How to get the most out of it

  • Anchor the swing feel by emphasizing the upbeats in the left hand; this groove matters more than strict tempo adherence.
  • Lean into the bluesy passages with slight articulation shifts rather than trying to play everything smoothly; jazz phrasing demands intentionality.
  • Balance the melody with harmonic interest in the left hand so neither hand dominates, keeping the whole arrangement conversational.

How to use it

Slot this into a jazz or American standards unit in your piano curriculum, or program it as a palate cleanser in a recital between heavier classical works. It pairs naturally with other early jazz standards and gives students a taste of why these songs endured.

Skills your students will build

  • Swing rhythm and syncopation
  • Jazz chord voicings and harmonic awareness
  • Reading and executing bluesy articulation
  • Balancing melody and accompaniment textures
  • Understanding jazz phrasing conventions

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