I Touch Myself Sheet Music Preview

I Touch Myself: Lead Sheet / Fake Book

As performed by Divinyls

Item: 35-DS00379716

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$3.99
Description

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00379716

More about this title

About the Artist: Divinyls

Divinyls emerged from Sydney's post-punk scene in the late 1970s, building a reputation for unflinching lyrics and muscular rock arrangements. The band's willingness to address taboo subjects with directness and humor set them apart from their contemporaries, earning them a devoted following across Australia and eventually worldwide recognition.

Why we love this

This lead sheet captures a song that refuses to apologize for its own existence, which students find refreshing. The straightforward harmonic language and conversational melody make it accessible for early pianists and singers, while the provocative context sparks honest conversations about songwriting that addresses real human experience.

What to expect

Confident and unapologetic, with a groove that sits comfortably between rock and pop sensibility. The song feels intimate despite its boldness, like someone telling you exactly what they're thinking without filtering or performing for approval.

Who it's for

Pianists and singers exploring pop rock repertoire beyond standard covers, especially those interested in songs with distinctive lyrical perspective. This works well for intermediate students tackling contemporary material with real substance.

How to get the most out of it

  • Keep the rhythm buoyant and conversational rather than overplaying the emotional content; the song's power comes from its casual delivery of bold material.
  • Balance vocal clarity with instrumental support so the lyrical storytelling remains front and center.
  • Experiment with dynamic restraint in the verses to build contrast when the chorus arrives.

How to use it

Pair this with other 1980s pop rock selections for a contemporary music set that celebrates artists who weren't afraid to challenge social conventions. It lands differently when programmed alongside more traditional material, signaling to your audience that your ensemble engages with the full spectrum of popular song.

Skills your students will build

  • Rhythmic precision in conversational, rubato-friendly passages
  • Voice leading across simple but effective chord progressions
  • Balancing accompaniment texture with vocal priority

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