I Softly Sing Sheet Music Preview

I Softly Sing: SAB Choral Octavo

By Bruce W. Tippette

Item: 35-DS01166971

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS01166971

More about this title

About the Composer: Bruce W. Tippette

Bruce W. Tippette

Bruce W. Tippette brings decades of compositional breadth to his work. Trained at the University of North Carolina School of the Arts (Master of Music in composition) and Appalachian State University (dual degree in composition/theory and music education), he has developed a distinctive voice across multiple genres. His orchestral work Unconquered won the 2012 Mary Starling Composition Competition and earned four subsequent performances by the Winston-Salem Symphony, while his piano solo Dance of Fire received the Lynn Freeman Olson Composition Award.

Beyond concert works, Tippette's commissions span choreography, film scoring, and musical theatre collaboration with Cirque du Soleil. He teaches composition, theory, piano, and voice at the Community Music School of UNCSA and serves as Youth Music and Handbell Director at Augsburg Lutheran Church. His work as a collaborative pianist and rehearsal accompanist keeps him deeply connected to performers and the practical needs of ensemble directors.

Why we love this

Tippette crafts choral writing that sits comfortably for mixed voices while maintaining genuine musical substance. The three-part SAB voicing avoids the thinness that can plague simpler arrangements, allowing you to feature meaningful harmonic movement and textural interest even with limited vocal range demands.

What to expect

There's an intimacy to this work that invites quiet reflection. The poetry at its heart shapes everything; you'll find moments of tenderness alongside fuller textures that let the ensemble breathe and sing with genuine presence.

Who it's for

Music directors seeking a concert piece that works equally well for developing choirs and confident ensembles. The SAB voicing makes it accessible without sacrificing musical depth, perfect for mixed choirs that need repertoire with real artistry.

How to get the most out of it

  • Balance the text intelligently. Poetry demands clear projection of language, so work with your singers to shape phrases around natural syntax rather than phrase markings that might obscure meaning.
  • Explore the dynamic landscape early. Tippette's score likely contains both intimate passages and fuller sections; identifying these contrasts in early rehearsals helps singers understand the emotional arc.
  • Pay attention to blend in the middle voices. With SAB writing, the A part carries considerable responsibility for harmonic cohesion; ensure these singers hear and lock onto the soprano line without being overwhelmed by it.

How to use it

Position this as a centerpiece for a concert's middle section, where it can create an emotional anchor between larger works. Its moderate difficulty and concert appeal make it suitable for spring concerts, especially when programming around poetry or art song traditions.

Skills your students will build

  • Singing text expressively while maintaining proper vocal technique
  • Reading and performing three-part SAB voicing with independence
  • Balancing harmonic blend in mixed voice groupings
  • Interpreting poetic language through dynamic and phrasing choices
  • Sustaining musical line and tone color across multiple phrases

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