I See Stars (from Mean Girls: The Broadway Musical) (arr. Mark Brymer): Choral Instrumental Pak

Brymer captures the infectious optimism of this moment without letting the arrangement tip into cuteness or oversimplification. The instrumentation supports the vocals naturally, and the vocal writing sits comfortably across a range of voices while keeping the joy of the melody front and center.

Bright and buoyant, like watching someone discover something wonderful. The arrangement mirrors the theatrical energy of the moment while keeping things grounded enough for singers to inhabit emotionally rather than just execute technically.

Choirs and schools looking to program contemporary Broadway music that connects with students without requiring advanced vocal technique. This works equally well in a concert setting or as part of a larger musical theater unit.

• Isolate the rhythmic precision in the ensemble sections. The pop energy depends on locked rhythms between singers and players, so mark those moments in rehearsal and drill them separately if needed.
• Balance the featured vocal line against the accompaniment carefully. This arrangement thrives when the melody soars above the instrumental bed rather than getting buried in it.
• Let the instrumentation breathe. If you're using the digital parts, resist the urge to double every line. The arrangement is designed to work with intentional sparse moments.

Pair this with other contemporary pop or musical theater selections for a concert exploring how Broadway adapts current music. It also serves as an excellent confidence builder earlier in the year or as a counterweight to more demanding classical or art song programming.

• Singing pop music with stylistic authenticity
• Ensemble balance with instrumental accompaniment
• Maintaining rhythmic precision in syncopated figures
• Performing with dynamic contrast in contemporary song structures