I See Stars (from Mean Girls: The Broadway Musical) (arr. Mark Brymer): SSA Choral Octavo
I See Stars (from Mean Girls: The Broadway Musical) (arr. Mark Brymer) Sheet Music Preview

I See Stars (from Mean Girls: The Broadway Musical) (arr. Mark Brymer): SSA Choral Octavo

Arranged by Mark Brymer

Item: 35-DS00450814
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$2.99
Description

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Additional Details
Publisher: Hal Leonard
Page Count: 13
SKU: 35-DS00450814

More about this title

About the Arranger: Mark Brymer

Mark Brymer is a prolific arranger whose work spans Broadway, popular music, and educational repertoire. His arrangements are known for respecting the integrity of original vocal lines while crafting parts that sit naturally for student singers, making contemporary musical theater accessible to choirs of varying ability levels.

Why we love this

Brymer captures the infectious optimism of this Mean Girls moment without oversimplifying the harmony. The SSA voicing keeps the soprano line front and center where it belongs, while the inner parts provide real harmonic support that teaches voice independence without overwhelming developing singers.

What to expect

Youthful joy and wonder shine through this arrangement. The music captures that moment of pure delight and possibility, with a contemporary harmonic sensibility that feels current without being trendy. It's genuine fun without being trivial.

Who it's for

This arrangement works for developing treble choirs, show choir ensembles looking to expand their contemporary musical theater catalog, and programs seeking accessible Broadway material that students actually want to sing. It's ideal for singers who enjoy pop-influenced melody and harmonic texture without the density of four-part writing.

How to get the most out of it

  • Keep the energy buoyant throughout; this song thrives on lightness and forward motion rather than dramatic weight.
  • Balance the alto part carefully so it anchors the harmony without overshadowing the sopranos' melodic line.
  • Attend to any divisi sections with extra rehearsal time; make sure singers understand which part they sing and feel secure in their entrance points.
  • Connect the text naturally to the music; conversational phrasing will feel more authentic than pushing for overly legit vocal production.

How to use it

Consider pairing this with other contemporary musical theater selections for a spring or end-of-year concert that celebrates current repertoire alongside classic Broadway. It also works beautifully as an opener to engage audiences immediately with familiar, appealing music. The 13 pages make it substantial enough to justify its own program slot but manageable for learning alongside other pieces.

Skills your students will build

  • Balancing and blending in SSA voicing
  • Singing contemporary harmonic language with confidence
  • Text expression in musical theater style
  • Part independence in ensemble singing

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