I Say a Little Prayer Cover Image

I Say a Little Prayer: Choral SoundPax

$35.00 USD
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I Say a Little Prayer Cover Image

I Say a Little Prayer: Choral SoundPax

Words and music by Burt Bacharach and Hal David / arr. Jay Althouse

Item: 00-33143

$35.00
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Description
This great tune was most recently featured on the TV hit Glee as sung by a trio of choreographed cheerleaders. Let your ladies do a little research and listen to how Dionne Warwick originally sang this tune in 1967.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 32
UPC: 038081360515
SKU: 00-33143
Instrumentation: SoundPax

More about this title

About the Composer: Burt Bacharach

Burt Bacharach stands as one of the most distinctive composers in American popular music, known for his sophisticated harmonies, unusual song structures, and meticulous orchestral arrangements. Working primarily with lyricist Hal David in the 1960s and 1970s, Bacharach created some of the era's most enduring hits, many of which have become staples in choral and educational contexts due to their melodic strength and harmonic richness.

His influence on music education extends far beyond nostalgia. Bacharach's songs offer students harmonic complexity and rhythmic variety within accessible, singable melodies, making them ideal vehicles for building musicianship alongside the joy of performing recognizable material.

Why we love this

Jay Althouse's arrangement captures the warmth and accessibility that made this song iconic while giving choirs the space to shine. The SoundPax format with recorded accompaniment means your singers can confidently explore this Bacharach classic without requiring a full instrumental ensemble, and the pop idiom keeps rehearsals energized and grounded in repertoire your students actually want to sing.

What to expect

The arrangement carries an effortless, conversational warmth, with the kind of melodic ease that made the original recording so memorable. There's sincerity woven through the pop styling, creating a piece that feels both current and timeless.

Who it's for

Treble choirs and mixed choirs looking to add contemporary pop repertoire that sits comfortably in students' ranges and connects to musical references they already know. Directors seeking recorded accompaniment solutions for groups without pit orchestras or sufficient instrumentalists will find this format especially practical.

How to get the most out of it

  • Balance the vocal line so the melody reads clearly over the recorded accompaniment; resist the urge to match the energy level of the backing track at all times.
  • Shape the phrasing to mirror the conversational, intimate quality of the lyric rather than treating it as a strict pop song with uniform intensity.
  • Listen closely to the recorded accompaniment during rehearsals to identify where your choir's entrance points occur and lock the rhythmic feel without rushing.
  • Encourage your singers to connect with the devotional sincerity beneath the pop arrangement; this song works best when it feels genuinely felt, not just performed.

How to use it

Consider programming this in a pop or contemporary-music-focused concert where you want a recognizable crowd-pleaser with genuine musical substance. It pairs well with other Bacharach standards or fits naturally into a concert celebrating songs featured in film and television, especially if your season includes Glee or other media tie-ins that resonate with your students.

Skills your students will build

  • Singing over recorded accompaniment without relying on live instrumental support
  • Shaping phrasing in pop idiom while maintaining musical intentionality
  • Connecting with mid-twentieth-century harmonic sophistication through contemporary arrangement
  • Balancing melody and accompaniment in recorded contexts

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