I Saw Three Ships and Hark the Herald Angels Sing Cover Image

I Saw Three Ships and Hark the Herald Angels Sing: Brass Quintet Score & Parts

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I Saw Three Ships and Hark the Herald Angels Sing Cover Image

I Saw Three Ships and Hark the Herald Angels Sing: Brass Quintet Score & Parts

Traditional / arr. Keith Young

Level: Medium-Difficult

Item: 81-BQ12390

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Description
This is a little medley of two joyous, traditional carols. It should be played with a "Wee Bit of a Merry Christmas Jig..." This was recorded on the CD Christmas Postcards from the HoodleBug Brass---recorded by the faculty brass quintet at IUP (Indiana University of Pennsylvania). (1:40)

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 20
ISBN10: 1-55473-947-0
ISBN13: 978-1-55473-947-9
UPC: 685462019489
SKU: 81-BQ12390
Instrumentation: Brass Quintet

More about this title

Why we love this

This arrangement captures the infectious energy of a traditional carol medley without sacrificing musicality or technical interest. The medium-difficult level ensures your quintet stays engaged during the holiday season while remaining accessible enough to mount quickly. Young's scoring balances tutti moments with clever voice exchanges, giving each player a moment to shine.

What to expect

Bright and celebratory, with the rhythmic lift of a folk jig underlying two beloved carols. The scoring sparkles when the parts interlock; moments of unison cut through with clarity while passages of counterpoint give the arrangement textural depth.

Who it's for

Brass quintets seeking holiday repertoire that avoids cliché and demands real musicianship at an intermediate-advanced level. This works well for ensembles with established intonation and blend who want to program something joyful without resorting to simplified arrangements.

How to get the most out of it

  • Lean into the jig character throughout. The "merry Christmas jig" instruction shapes phrasing and articulation; resist playing it straight as a hymn arrangement.
  • Balance the two carols as equal personalities rather than treating the second as filler. Each deserves clear thematic presence.
  • Lock the rhythm section (tuba and horn) early in rehearsal so the upper voices can float freely over a secure foundation.
  • Record a run-through at performance tempo before your first concert. This medley benefits from tight ensemble cohesion.

How to use it

Pair this with other brass quintet arrangements of contrasting character (perhaps a lyrical chorale or a march) to showcase your ensemble's range during winter concerts. The recorded reference on Christmas Postcards from the HoodleBug Brass offers a model for interpretation and can guide your rehearsals.

Skills your students will build

  • Rhythmic independence in jig meter and articulation
  • Balancing harmonic interest across five voices
  • Executing clean voice exchanges and doublings
  • Listening for intonation across wide dynamic range

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