I Saw Three Ships Cover Image

I Saw Three Ships: String Orchestra Conductor Score & Parts

$55.00 USD
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I Saw Three Ships Cover Image

I Saw Three Ships: String Orchestra Conductor Score & Parts

(On Christmas Day)

Traditional / arr. Brian Bankston

Grade: 1

Item: 98-RWS257100

$55.00
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Description
Perfect for your young string orchestra's first holiday concert, I Saw Three Ships features accessible ranges, simple rhythms, and the friendly key of G major with the viola doubled in the second violin throughout. Every section gets the melody, keeping all students engaged. Give your students the gift of smooth rehearsals and a confident performance with this classic English carol.

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Additional Details
Series: RWS - Beginning Strings
Publisher: RWS Music Company
ISBN10: 1-4706-7788-1
ISBN13: 978-1-4706-7788-6
UPC: 038081602233
SKU: 98-RWS257100

More about this title

Why we love this

This arrangement understands what young string orchestras actually need: distributed melody so every player feels like a soloist, not an accompanist. The viola doubling in second violin is a thoughtful detail that prevents that section from disappearing into the texture, and the straightforward G major tonality means students focus on ensemble listening rather than fighting the key.

What to expect

Warm and straightforward, with the familiar shape of a beloved carol. The melody emerges naturally from the ensemble without demanding virtuosity, letting the sweet simplicity of the tune shine through while students gain confidence in their orchestral voices.

Who it's for

Beginning string orchestras with mixed instrumentation, typically in grades 4-6. The accessible ranges and simple rhythms make this a realistic choice for students in their first year or two of ensemble playing.

How to get the most out of it

  • Balance the melody carefully across the four sections. Since every part carries the tune at some point, emphasize in rehearsal which instruments have the primary line in each phrase and adjust dynamic support from the other sections accordingly.
  • Establish a steady pulse in the accompaniment voices. Even simple rhythmic figures need rhythmic precision to anchor the melodic sections, so isolate the accompanying patterns and lock them before rehearsing full sections together.
  • Encourage vibrato (or introduce it, if age-appropriate) only in the principal melodic voices at any given moment. This helps students distinguish between 'I'm playing the melody' and 'I'm supporting the melody' roles.

How to use it

Slot this into the opening or closing of your winter concert for immediate audience connection. The carol's cheerfulness and the students' visible engagement (because everyone gets the melody) make it an ideal gateway piece between a technical warmup and more substantial repertoire.

Skills your students will build

  • Reading and playing melodies across all four string parts
  • Coordinating ensemble entrances and maintaining rhythmic alignment
  • Distinguishing between principal and accompaniment roles within a single piece
  • Executing sustained notes and simple rhythmic figures with consistency

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