I Saw Three Ships: 2-Part Choral Octavo
English Carol / arr. Andy Beck
Item: 00-PO-0003619
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More about this title
About the Arranger: Andy Beck

Andy Beck directs choral publications at Alfred Music and has established himself as one of the most prolific voices in contemporary choral writing. With over 450 choral works, vocal resources, and children's musicals in print, his music reaches singers across the globe. He holds degrees in Music Education from both Ithaca College and Northwest Missouri State University.
Beyond the page, Andy remains deeply engaged with music education as a guest conductor, adjudicator, and clinician. He has served as a commissioned composer and guest conductor for honor choirs and all-state ensembles throughout the Southeast, bringing his expertise directly to students and educators. An accomplished tenor himself, he performs with the North Carolina Master Chorale Chamber Choir and continues to work as a studio vocalist for Alfred Music recordings.
Why we love this
Beck's treatment transforms a beloved carol into something genuinely fresh without losing its essential character. The jazz waltz accompaniment gives your singers material that feels contemporary and engaging, while the 2-part voicing keeps the arrangement accessible for mixed-ability choirs without sacrificing musical sophistication. This is the kind of holiday arrangement that energizes both performers and audience.
What to expect
Imagine a Christmas carol set in motion by a gentle, lilting waltz rhythm. The voices settle in with warm harmonies that feel both traditional and modern, never precious or overwrought. There's a coolness here, a sophisticated ease, that makes the familiar feel like a small discovery.
Who it's for
This arrangement works beautifully for developing and intermediate choirs seeking accessible holiday literature with contemporary appeal. Programs serving singers in grades 5 through adult, including community choirs and church ensembles, will find the 2-part voicing straightforward to teach and manage while the jazz style offers something singers genuinely want to perform.
How to get the most out of it
- Let the accompaniment track establish the lilting waltz feel before the choir enters. This rhythmic groove is essential to the arrangement's character, so listen closely during rehearsals.
- Shape the choral harmonies with warm legato phrasing. The sweet vocal writing deserves sustained tone and smooth transitions between phrases.
- If your ensemble includes musicians capable of handling the optional saxophone and vibes parts, these instruments will transform the texture and add significant dimension to the overall sound.
- Balance the singers' voices clearly above the accompaniment. The arrangement is designed to support rather than overpower, so focus on projection and diction.
How to use it
This arrangement sits perfectly in the middle of a holiday concert, offering a sophisticated palate cleanser between more traditional carols and contemporary pop-style arrangements. Its moderate length and moderate difficulty make it an ideal selection for a mixed program where you want to show your choir's range without requiring intensive rehearsal time. The optional instrumental parts also give you flexibility to expand the texture if your ensemble includes interested musicians.
Skills your students will build
- Reading 2-part harmony and balancing vocal blend across parts
- Singing with jazz-influenced phrasing and swing feel
- Maintaining secure rhythm in a waltz meter while staying connected to the ensemble
- Articulation and diction clarity in a rhythmically active arrangement