<i>Peer Gynt Suite</i> Selections Cover Image

<i>Peer Gynt Suite</i> Selections: Full Orchestra Conductor Score

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<i>Peer Gynt Suite</i> Selections Cover Image

Peer Gynt Suite Selections: Full Orchestra Conductor Score

Featuring: Morning Mood / In the Hall of the Mountain King

By Edvard Grieg / arr. Richard Meyer

Grade: 2.5

Item: 00-42068S

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Description
Featuring "Morning Mood" and "In the Hall of the Mountain King," this authentic-sounding arrangement includes 6/8 time; legato, staccato and marcato styles; frequent doublings; a wide variety of dynamic markings; and one of the most famous accelerandos ever written! (5:00) This title is available in MakeMusic Cloud.

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Additional Details
Series: Highland/Etling First Philharmonic
Publisher: Alfred Music
Page Count: 28
ISBN10: 1-4706-5433-4
ISBN13: 978-1-4706-5433-7
UPC: 038081481104
SKU: 00-42068S

More about this title

About the Composer: Edvard Grieg

Edvard Grieg (1843-1907) stands as Norway's most celebrated composer and a defining voice of Romantic nationalism. His gift for melody and his ear for orchestral color made him a master of the concert suite, a form he used to capture the landscapes, folklore, and spirit of his homeland. Peer Gynt, his 1875 incidental music for Henrik Ibsen's play, remains one of the most performed orchestral works in the world, beloved equally by audiences and young musicians discovering the power of great orchestration.

Why we love this

Richard Meyer's arrangement captures the authentic orchestral brilliance of Grieg's original without overwhelming a young ensemble. The piece teaches conductors and players how to shape familiar melodies with real musical weight, and those two movements are scaffolded perfectly to build confidence while maintaining the charm and drama that make Peer Gynt a perennial audience favorite.

What to expect

"Morning Mood" floats in on a serene 6/8 pulse, painting a sunrise with crystalline clarity and gentle forward motion. "In the Hall of the Mountain King" shifts into darker, more percussive territory, driving toward a climax that feels both playful and genuinely sinister, especially when that famous accelerando hits and the piece barrels ahead with relentless energy.

Who it's for

This score is built for school orchestras, community ensembles, and youth philharmonics at the intermediate level who want to tackle genuine masterwork repertoire without requiring advanced technique. Conductors will appreciate that it sounds substantially more sophisticated than its Grade 2.5 difficulty suggests, making it an excellent choice for building musician confidence and audience appeal at the same time.

How to get the most out of it

  • Shape the legato passages in "Morning Mood" with clear phrase breathing; the simplicity of the melody makes uneven phrasing immediately obvious, so conductor clarity about arc is essential.
  • Control the accelerando in "In the Hall of the Mountain King" with precision. Mark exact tempo changes for sections if needed, and rehearse the transition points separately so the build feels inevitable, not chaotic.
  • Balance the doublings carefully across the sections; doubled passages can muddy tone quality if players don't listen through the texture. Have brass and woodwind doublings rehearse together to lock intonation.
  • Use the dynamic markings as a conducting tool. This arrangement leans heavily on contrasting dynamics to build drama, so exaggerate your gestures to help younger players hear the shape you're after.

How to use it

Program this as a centerpiece for a concert or festival entry that showcases what your orchestra can accomplish at an intermediate level. The two contrasting movements give you tonal variety in a single performance slot, and the familiarity of the material means even families new to classical music will settle in and listen. It also pairs naturally with other Romantic-era orchestral selections or lighter contemporary works.

Skills your students will build

  • Conducting and ensemble precision in 6/8 meter
  • Dynamic shaping and terraced dynamics across an orchestra
  • Coordinating articulation changes (legato, staccato, marcato) within a single movement
  • Pacing an accelerando with control and ensemble unity
  • Balancing doublings and maintaining clarity in thickly orchestrated passages

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