I Only Have Eyes for You Cover Image

I Only Have Eyes for You: SATB Choral Octavo

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I Only Have Eyes for You Cover Image

I Only Have Eyes for You: SATB Choral Octavo

Words by Al Dubin, music by Harry Warren / arr. Russell Robinson

Item: 00-CH9742

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Description
From the opening female and male solos to the final chord, this wonderful Russ Robinson arrangement endows the classic '40s tune with rich, yet singable, vocal jazz harmonies to make a real showpiece for today's choirs. Don't overlook this creative showstopper!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, I Only Have Eyes for You: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 029156300161
SKU: 00-CH9742

More about this title

About the Composer: Harry Warren

Harry Warren composed over 800 songs during his career, establishing himself as one of the most prolific songwriters of the American popular music tradition. His work defined the sound of Hollywood's Golden Age, with "I Only Have Eyes for You" standing among his most enduring contributions to the American songbook.

Why we love this

Russell Robinson's arrangement transforms this beloved standard into a genuine showpiece that respects the song's classic elegance while infusing it with modern jazz vocabulary. The piece balances accessibility with sophistication, giving choirs a chance to sink their teeth into real jazz harmony without requiring advanced vocal jazz experience.

What to expect

From the intimate opening solos through the lush harmonic landscape, the piece evokes the sophistication of a 1940s jazz club transplanted into the concert hall. The arrangement bathes the timeless melody in rich chromatic color while maintaining the warmth and sincerity that makes this song unforgettable.

Who it's for

This arrangement suits choirs with solid blend and basic jazz harmony experience. Directors looking to program a secular showpiece that spans genres—appealing to audiences familiar with both pop standards and choral jazz—will find this a reliable choice.

How to get the most out of it

  • Shape the opening solos with genuine vulnerability. The male and female solo passages set the emotional tone, so encourage singers to sing through the phrases rather than chop them into syllables.
  • Treat the jazz harmonies as a means to support the melody, not overshadow it. Voicing clarity matters more than volume; blend the inner parts so the tune remains the focal point.
  • Lock the rhythm section (or recorded accompaniment if using it) firmly into a relaxed swing feel. Even a slight shuffle in the pulse will transform how the harmonies sit.
  • Pay attention to the final chord resolution. Let it breathe slightly before the cut-off to let the richness of Robinson's harmony fully land.

How to use it

Program this as a standalone secular feature or pair it with other standards from the American songbook to build a jazz-inflected set. The 12-page length and well-crafted arrangement make it suitable for spring concerts, pops events, or any program seeking an elegant, crowd-pleasing selection.

Skills your students will build

  • Jazz harmony and voice leading
  • Singing idiomatic swing phrasing
  • Balancing solo and ensemble singing within a single piece
  • Part independence in chromatic, non-diatonic harmonic contexts

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