<I>New York, New York,</I> Theme from Cover Image

<I>New York, New York,</I> Theme from: Choral Octavo SoundTrax CD

$24.95 USD
Sale price  $24.95 USD Regular price 
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<I>New York, New York,</I> Theme from Cover Image

New York, New York, Theme from: Choral Octavo SoundTrax CD

Arr. Teena Chinn

Item: 00-CT95106

$24.95
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Description
This accessible, fun to sing arrangement will be the highlight of any performance. The optional second voice part is mostly an independent contrapuntal line. A magnificent rendition that even 'Old Blue Eyes' would enjoy!

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Additional Details
Series: Standard Library Series
Publisher: Alfred Music
UPC: 029156686340
SKU: 00-CT95106

More about this title

Why we love this

Teena Chinn has crafted an arrangement that captures the swagger and energy of this iconic standard while remaining genuinely singable for mixed choirs at all levels. The contrapuntal second voice part adds textural interest without overwhelming ensemble singers, and the recorded accompaniment means you can rehearse confidently even without a pianist.

What to expect

Sophisticated yet approachable, with the snap and syncopation of a classic Broadway number. The arrangement swings without being precious, delivering the brash optimism and urban polish of the original while feeling fresh in choral voices.

Who it's for

Mixed choirs at the intermediate level and above who want to program a recognizable, crowd-pleasing standard without settling for overly simplified arrangements. This works equally well for community choirs, school choirs seeking a secular concert opener, and ensembles looking to build confidence with jazz-influenced repertoire.

How to get the most out of it

  • Bring out the character of the melody in the first voice part; this is a song about attitude and confidence, so encourage singers to own the phrasing and not undersell the swagger.
  • Use the recorded accompaniment to lock the ensemble's tempo and harmonic framework during rehearsals, then gradually reduce reliance on it as singers internalize the progression.
  • Balance the second voice so it supports rather than competes with the lead melody; it should feel like a conversation, not a struggle for dominance.
  • Keep the energy consistent throughout; this arrangement thrives on forward momentum and rhythmic precision, especially in the accompaniment's groove.

How to use it

This makes an excellent concert opener or closer, setting a celebratory tone that audiences recognize instantly. It pairs naturally with other secular or theater-adjacent repertoire and works particularly well in pops concerts, holiday shows, or any program where you want to balance art songs with immediately accessible material.

Skills your students will build

  • Jazz phrasing and syncopation
  • Balancing independent vocal lines within a mixed choir
  • Interpreting style and character from a well-known source
  • Listening to and following a recorded accompaniment

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