<I>New York, New York,</I> Theme from Cover Image

<I>New York, New York,</I> Theme from: Choral Octavo SoundTrax CD

$27.99 USD
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<I>New York, New York,</I> Theme from Cover Image

New York, New York, Theme from: Choral Octavo SoundTrax CD

By John Kander / arr. Philip Kern

Item: 00-24160

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081262543
SKU: 00-24160

More about this title

About the Composer: John Kander

John Kander (born 1927) is an American composer best known for his theatrical work with lyricist Fred Ebb. Together they created some of Broadway's most enduring scores, including "Cabaret," "Chicago," and "Kiss of the Spider Woman." Kander's music combines sophisticated harmonic language with memorable melodic hooks, making his theatrical works accessible to audiences while respecting the intelligence of performers.

Why we love this

This arrangement captures the iconic swagger of Kander's melody while remaining genuinely singable for high school and community choirs. Philip Kern's voicing balances energy with accessibility, and the recorded accompaniment gives your singers a genuine Broadway sound to sing against without requiring a pianist to learn a complex part.

What to expect

Bright, confident, and energetic, with that unmistakable New York attitude built into the melody itself. The arrangement radiates optimism and forward motion, giving singers the chance to feel like they're performing a genuine Broadway moment rather than a simplified version of one.

Who it's for

This piece works for intermediate to advanced high school choirs, community and adult choirs, and show choirs looking for Broadway material that doesn't require an enormous ensemble. Any group comfortable with popular music and theatrical style will find this both fun and musically rewarding.

How to get the most out of it

  • Attack the opening with rhythmic precision. The song lives in its forward momentum, so lock the rhythm section sounds on the recording and commit to the pulse immediately.
  • Shape the lyric storytelling across the full phrase rather than emphasizing individual words. Let the melody carry the narrative arc of New York itself.
  • Balance the soprano and alto lines carefully in sections where they move independently. They should blend rather than compete, even when the upper voices carry the primary melody.

How to use it

Program this as a closing or encore number in a concert celebrating American songwriting or Broadway. It also pairs beautifully in a program that mixes theatrical selections with other pop or jazz-influenced pieces, and it's substantial enough to anchor a shorter concert without needing lengthy spoken introductions.

Skills your students will build

  • Singing against a recorded accompaniment with independent rhythmic security
  • Balancing melodic and harmonic lines in jazz-influenced voicings
  • Stylistic interpretation of Broadway-influenced diction and phrasing
  • Reading syncopated rhythms and jazz-influenced articulations

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