I Need To Know (Dimelo) (arr. Alan Billingsley): SSA Choral Octavo

As performed by Marc Anthony / Arranged by Alan Billingsley

Item: 35-DS00454063

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00454063

More about this title

About the Artist: Marc Anthony

Marc Anthony stands as one of the most commercially successful salsa artists in history, with a career spanning decades and crossing multiple musical boundaries. His ability to blend traditional Latin music with contemporary pop sensibilities has made him a bridge between generations of listeners, earning him recognition not just as a performer but as an innovator who expanded salsa's reach far beyond its traditional audiences.

Why we love this

Alan Billingsley's arrangement captures the irresistible momentum of this Latin pop hit while making it entirely singable for SSA voices. The voicing preserves the song's infectious energy without sacrificing the harmonic depth that makes it satisfying for strong choirs, and the seven pages move quickly enough to hold singers' attention while offering enough musical substance to feel rewarding.

What to expect

Bright, propulsive, and instantly recognizable, this version captures the yearning and directness of the original while translating it into the warmth of SSA blend. There's an immediacy to the song that makes it feel current and alive in the concert hall.

Who it's for

This arrangement works beautifully for choirs that want to program contemporary material with genuine Latin flavor. It's accessible enough for developing ensembles but engaging enough that experienced singers will find musical substance in both the writing and the style.

How to get the most out of it

  • Pay close attention to the rhythmic precision in the accompaniment; the pocket drives this arrangement, so lock in early with any recorded track you're using.
  • Shape the melody with confident dynamics rather than hesitation; this style thrives on conviction and forward motion.
  • Balance the SSA voicing so the top line stays visible without drowning out the harmonic support underneath, especially in sections where all three parts move together.

How to use it

Program this as an energizing centerpiece in a pop or contemporary set, or use it to bridge between traditional choral works and more modern idioms. Its approachability and strong original popularity make it an excellent choice for spring concerts or any program that aims to connect with a broad audience.

Skills your students will build

  • Latin rhythm reading and execution, including syncopation typical of salsa-influenced pop
  • Balancing melody and harmony in a three-part texture without sacrificing the natural pop vocal style
  • Stylistic interpretation of contemporary material with attention to articulation and groove

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