I'm Too Sexy (arr. Vicky Jacobs) Sheet Music Preview

I'm Too Sexy (arr. Vicky Jacobs): SATB Choral Octavo

As performed by Right Said Fred / Arranged by Vicky Jacobs

Item: 35-DS01890859

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Additional Details
Publisher: Hal Leonard
Page Count: 6
SKU: 35-DS01890859

More about this title

About the Artist: Right Said Fred

Right Said Fred burst onto the British pop scene in 1991 with a fresh, irreverent approach to dance-pop that relied on humor, confidence, and infectious grooves rather than vocal gymnastics. The duo's commercial peak spanned the early 1990s, when they captured the zeitgeist of that era with sharply produced tracks built on memorable hooks and playful provocation. Their signature sound blended electronic production with pop sensibility, creating songs that are instantly recognizable and deeply embedded in popular culture.

For choral educators, Right Said Fred's catalog offers something rare: pop hits with genuine character and staying power that audiences recognize immediately. Their music translates well to ensemble settings because the melodies are strong and the rhythmic foundation is clear, giving arrangers room to add texture and sophistication while keeping the original spirit intact.

Why we love this

Vicky Jacobs has transformed an unapologetically fun pop track into a vehicle for genuine vocal writing that respects both the original and your singers' abilities. This arrangement lets choirs perform a song their audiences will recognize and respond to, while the SATB setting creates opportunities for blend, balance, and rhythmic precision that reveal new dimensions in the material.

What to expect

Confident and playful. The energy is propulsive and straightforward, with the kind of infectious quality that makes singers want to commit fully to the text and rhythmic groove. There's permission here to have fun without sacrificing musicality.

Who it's for

Directors building contemporary pop programs who want material that feels current and engaging to singers while maintaining musical substance. High school and college choirs comfortable with rhythmic precision and modern production styles will find this both accessible and rewarding to rehearse.

How to get the most out of it

  • Maintain the groove's pocket. The rhythmic drive of the original thrives on precision, so lock the percussion or click track to a specific tempo early and keep it steady through rehearsals.
  • Shape the dynamic arc intentionally. Pop songs rely on contrasts between verse and chorus, so experiment with how soft you can go in quieter sections before building back in.
  • Pay attention to articulation and diction across the voicing. When all four parts move together or in close harmony, clarity in consonants makes the arrangement sit properly in the mix.
  • Let the arrangement breathe during any stripped-down moments. If Jacobs uses solo voices or reduced voicing, those moments need space to land before the full ensemble returns.

How to use it

Pair this with other pop or rock arrangements in a contemporary music set, where it can serve as a crowd favorite and momentum builder. It also works as a concert opener or closer when you want to establish an accessible, upbeat tone before moving into more classical repertoire.

Skills your students will build

  • Rhythmic precision and groove awareness in pop idiom
  • Ensemble blend and balance across SATB parts
  • Diction clarity in pop music contexts
  • Dynamic contrast and section coordination

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