I'm So Excited (arr. Jo Annemans) Sheet Music Preview

I'm So Excited (arr. Jo Annemans): TTBarBarB Choral Octavo

As performed by The Pointer Sisters / Arranged by Jo Annemans

Item: 35-DS00489292

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Additional Details
Publisher: Hal Leonard
Page Count: 15
SKU: 35-DS00489292

More about this title

About the Artist: The Pointer Sisters

The Pointer Sisters emerged from Oakland in the 1970s as one of the most dynamic vocal groups in popular music. Ruth, Anita, Bonnie, and June Pointer built their reputation on infectious energy, precise harmonies, and an ability to shift seamlessly across soul, funk, disco, and pop styles. Their success came from genuine musicianship paired with an unshakeable stage presence that made every performance feel celebratory.

For choral directors, The Pointer Sisters represent a model of vocal precision and ensemble cohesion. Their catalog offers accessible yet substantial material for teaching blend, rhythm section awareness, and the kind of joy that comes from music made for dancing and connection. "I'm So Excited" captures everything that made them distinctive: propulsive groove, layered vocals, and the kind of infectious optimism that lifts a rehearsal room.

Why we love this

Jo Annemans has crafted an arrangement that preserves the original's infectious backbone while making it genuinely singable for mixed voices. The voicing options (TB/TTB/TBB/TTBB) let you flex the arrangement to fit your ensemble's strengths rather than forcing singers into uncomfortable ranges. What makes this version work in a choral context is how it maintains the groove and energy of the hit without relying on studio production tricks.

What to expect

Pure exhilaration. The piece radiates the kind of unguarded joy that made the original so infectious. You're not performing at the audience; you're inviting them into a moment of collective excitement that's impossible to resist.

Who it's for

Mixed choirs looking for contemporary pop material that actually engages singers and audiences alike. This works for high school, community, and collegiate ensembles with solid fundamentals and comfort in a cappella singing.

How to get the most out of it

  • Anchor the rhythm section with a steady pulse; this arrangement thrives when the foundation stays locked and the ensemble can float rhythm feels on top of that security.
  • Isolate the hook melody and drill it until it sits in singers' muscle memory. Once they own it completely, the joy of the familiar tune will naturally lift their performance.
  • Layer the harmonies gradually in sectionals before bringing voices together. Each part has melodic integrity, and singers perform with more confidence when they understand what they're contributing to the texture.
  • Keep the energy consistent from entrance to exit. The piece demands stamina and brightness; fatigue will flatten the tuning and the spirit.

How to use it

Build a concert around 1970s and 1980s pop and soul material, using this as your opener to establish energy and establish immediate audience connection. Alternatively, program it as a reprieve from more serious repertoire in the second half, landing the full emotional impact of your classical or art song selections by contrast.

Skills your students will build

  • Rhythmic precision and pocket awareness in a pop/funk context
  • Sustaining energy and vocal brightness across extended phrases
  • Balancing individual vocal color with ensemble blend
  • Managing varied voicing options across different section sizes
  • Performance confidence and joy in contemporary music

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