I'm So Excited (arr. Hans Reintjes) Sheet Music Preview

I'm So Excited (arr. Hans Reintjes): SSAATB Choral Octavo

As performed by The Pointer Sisters / Arranged by Hans Reintjes

Item: 35-DS00489299

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Additional Details
Publisher: Hal Leonard
Page Count: 155
SKU: 35-DS00489299

More about this title

About the Artist: The Pointer Sisters

The Pointer Sisters emerged from Oakland in the 1970s as one of the most dynamic vocal groups in popular music. Their tight harmonies, infectious energy, and genre-crossing ambition made them icons of R&B, funk, and pop, earning multiple Grammy Awards and establishing themselves as influential performers who proved that vocal groups could command massive commercial and critical success.

For choral directors, The Pointer Sisters represent a legacy of vocal precision and rhythmic sophistication. Their arrangements demand ensemble cohesion and stylistic confidence from singers, making their work valuable material for groups developing contemporary vocal skills and learning how to own material with attitude and ensemble awareness.

Why we love this

Hans Reintjes has crafted an arrangement that captures the infectious swagger of the original while remaining singable across a full range of vocal abilities. The energy is immediate and infectious; your choir will feel the lift the moment they dig into the opening phrases. This works brilliantly as a concert closer or pops selection because audiences recognize it instantly and choirs never sound better than when they're having this much musical fun.

What to expect

Pure adrenaline wrapped in vocal harmony. This arrangement pulses with forward motion and swagger, delivering the kind of musical exhilaration that makes singers and audiences alike feel alive. It's the sound of a group in total command of their material and their moment.

Who it's for

Any choir ready to program contemporary pop material with confidence and style. Works equally well for high school groups developing ensemble chops and for adult or community choirs seeking repertoire that audiences adore.

How to get the most out of it

  • Lock the rhythmic precision early in rehearsal. This arrangement sits on pocket and groove, so subdivision work pays dividends faster than with traditional repertoire.
  • Shape the dynamic arc across the full arrangement rather than singing it flat-out from measure one. Build excitement rather than starting at maximum energy.
  • Pay attention to the vowel consistency across the SSAA voicing. Blend the soprano and alto lines particularly in unison passages so the arrangement's hooks land cleanly.

How to use it

Save this for concert finales where you need the audience on their feet. It pairs beautifully alongside other pop or contemporary selections and works equally well as a standalone feature or within a larger pops program. The recognition factor means audiences arrive ready to celebrate with you.

Skills your students will build

  • Rhythmic precision in syncopated pop/funk grooves
  • Sustaining energy and intent across extended phrases
  • Blending in contemporary ensemble textures
  • Stylistic confidence in non-classical genres
  • Dynamic control and climactic shaping in pop arrangements

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