I'm Outta Here: Choral Instrumental Pak
As performed by Ghost (Musical) / Arranged by Ed Lojeski
Item: 35-PK00256304
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Description
Adapted from the 1990 movie starring Patrick Swayze, Demi Moore and Whoopi Goldberg, "Ghost the Musical" opened on London's West End in 2011 before transferring to Broadway in 2012. Performed in the musical by the cast and the psychic Oda Mae Brown, this is a full-out rock roll production number that will be an awesome selection for pop and show choirs! Duration: ca. 3:50.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00256304
More about this title
About the Artist: Ghost (Musical)
Ghost the Musical adapted the beloved 1990 film for the stage, bringing its supernatural romance and humor to London's West End in 2011 and then to Broadway in 2012. The production became known for its innovative staging, memorable songs, and the iconic comedic performance of Oda Mae Brown, the psychic who steals scenes with her sass and heart.
Why we love this
Ed Lojeski's arrangement captures the swagger and energy that made this number a showstopper on stage. Pop and show choirs love programming rock and roll material with real attitude, and this delivers exactly that without overshooting technical difficulty. The 3:50 duration gives you a full production moment without derailing your concert pacing.
What to expect
Pure rock and roll attitude with a theatrical wink. The vibe is confident, a little bit cheeky, and absolutely fun to perform. You get that feeling of being part of something larger than yourself, the same way the original musical pulled audiences in with its blend of romance, humor, and spectacle.
Who it's for
Show choirs and pop ensembles ready to program contemporary musical theater with edge and fun. This works beautifully for groups comfortable with Broadway material who want something more recent and energetic than standard choral pops.
How to get the most out of it
- Nail the rhythmic precision in the vocal lines first; the rock groove depends on locked ensemble singing, not fancy dynamics.
- Use the accompaniment track to establish the pocket early in rehearsals, then gradually dial back reliance on it so singers own the groove themselves.
- Lean into character work with your soloists and small groups. This number lives on personality and confidence, not vocal gymnastics.
- Balance the volume between choir and rock band textures. The band should sit behind the voices, not overwhelm them.
How to use it
Drop this into a pops concert or a Broadway medley as your high-energy closing number. It works particularly well as a palate cleanser between ballads or as an opener that sets a fun, contemporary tone. The familiar source material also connects with audiences who know the film, making it an accessible crowd pleaser.
Skills your students will build
- Singing and precision in rock and roll grooves
- Ensemble blend and balance in a rock band setting
- Character development and theatrical presence in performance
- Sight reading of contemporary musical theater idiom