I'm Old Fashioned Sheet Music Preview

I'm Old Fashioned: SATB Choral Octavo

By Jerome Kern / By Johnny Mercer / Arranged by Paris Rutherford

Item: 35-DS00248186

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00248186

More about this title

About the Composer: Jerome Kern

Jerome Kern revolutionized American musical theater by elevating the craft of songwriting to an art form that rivaled concert music. His melodic gift was extraordinary; he wrote music that sits perfectly in the voice, which is why his standards have endured nearly a century and continue to anchor jazz and choral repertoires. His partnership with lyricist Johnny Mercer on "I'm Old Fashioned" produced one of the Great American Songbook's most graceful love songs, a piece that rewards careful phrasing and emotional restraint.

Kern's influence on music education runs deep. His songs teach singers about line, shape, and the marriage of text and melody. They demand musicianship; there are no shortcuts through a Kern standard. For choral directors, his work represents a direct connection to the golden age of American songwriting, a period when craftsmanship and sophistication defined popular music.

Why we love this

Paris Rutherford's arrangement honors the intimate character of this Kern and Mercer classic while giving it genuine choral substance. The harmonic sophistication feels natural to the style, never showy, and the writing allows each section to sing with independence. Directors will appreciate how accessible this remains for solid high school or community choirs without sacrificing musical integrity.

What to expect

"I'm Old Fashioned" carries a bittersweet tenderness, the sound of someone making peace with their own heart. The melody moves with a natural grace that feels inevitable, and the harmony beneath it is warm and gently sophisticated. There's no artifice here, just honest musicianship and the kind of beauty that comes from simplicity and craft working in perfect balance.

Who it's for

This arrangement works beautifully for choirs that have developed solid part independence and intonation skills. It suits concert programs at the high school, college, or community level and pairs well with other American songbook material or classic popular standards. Singers should have enough experience to sustain longer lines and manage the harmonic movement without struggle.

How to get the most out of it

  • Shape the opening phrase with a gentle upward arc; resist the temptation to sing straight rhythmically. The melody benefits from slight rubato in the early measures.
  • Balance the parts carefully in the harmony sections. The inner voices carry the chromatic movement that gives Kern's harmony its character; they shouldn't disappear.
  • Consider the text as emotional architecture. This is a song about reflection and acceptance, not yearning. Your tempo and dynamic choices should reflect that quiet wisdom.
  • Let the breath points coincide with the lyrical sense. Kern wrote in phrases that breathe naturally with the words; honor those editorial suggestions.

How to use it

This standard occupies a sweet spot in concert programming: substantial enough to deserve its own moment but short enough to pair naturally with other selections. Consider pairing it with other Kern standards or American songbook material for a cohesive set. It also serves as an excellent choice for a spring concert that honors the great American songwriting tradition.

Skills your students will build

  • Sustaining long legit lines with consistent breath support
  • Balancing four-part harmony with chromatic voice leading
  • Communicating emotional subtext through phrasing and rubato
  • Negotiating the harmonic vocabulary of the American songbook
  • Part independence in pieces where secondary voices carry harmonic interest

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