I'm Not The Only One Sheet Music Preview

I'm Not The Only One: Guitar Tab

As performed by Filter

Item: 35-DS01973814

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Additional Details
Publisher: Hal Leonard
Page Count: 6
SKU: 35-DS01973814

More about this title

About the Artist: Filter

Filter emerged from the industrial rock scene of the 1990s, blending heavy guitar work with electronic textures and introspective songwriting. Led by Richard Patrick, the band built a devoted following through their willingness to explore darker emotional territory while maintaining accessible hooks and memorable vocal melodies.

Why we love this

This tab gives students direct access to the angular, syncopated riffing that defines Filter's guitar aesthetic. It's a refreshing departure from standard rock repertoire, offering the chance to work with minor key tonality and rhythmic precision that demands real focus.

What to expect

Brooding and propulsive, with an underlying tension that never quite resolves into comfort. The guitar work cuts through like shattered glass wrapped in distortion, introspective without being precious.

Who it's for

Guitar students ready to tackle contemporary rock with industrial influences and those looking to expand beyond standard 12-bar blues progressions. This works well for intermediate players seeking material that rewards precision and rhythmic maturity.

How to get the most out of it

  • Lock the rhythmic subdivision tight; the riff relies on exact timing rather than legato smoothness
  • Pay attention to muting opportunities between phrases to match the recorded tone
  • Balance clarity in the upper register against the weight of the lower strings

How to use it

Pair this with other 1990s alternative rock selections to show evolution in guitar writing beyond grunge conventions. It fits well in a contemporary rock unit or as a solo feature that showcases individual voice and technical control.

Skills your students will build

  • Reading syncopated rhythmic figures in minor tonality
  • Precision timing and consistent muting technique
  • Interpreting distortion and effects within tab notation
  • Recognizing and executing angular, non-pentatonic phrasing

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