I'm Not The Only One Sheet Music Preview

I'm Not The Only One: SAB Choral Octavo

As performed by Sam Smith / Arranged by Mac Huff

Item: 35-DS00308615

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Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS00308615

More about this title

About the Artist: Sam Smith

Sam Smith emerged as one of the defining voices of contemporary soul and pop music, known for emotionally direct songwriting and a vocal range that commands attention across genres. Their work consistently explores themes of vulnerability and authenticity, qualities that translate powerfully to choral settings where ensemble singers can connect deeply with the material.

Why we love this

Mac Huff's arrangement captures the emotional core of this song without overcomplicating it. The SAB voicing sits naturally for mixed ensembles, and the soul-inflected harmonic language gives singers genuine interpretive choices within a straightforward structure.

What to expect

Intimate and confessional, even when sung by the full choir. The arrangement preserves the song's core vulnerability while allowing ensemble sound to add depth and resonance to what begins as a deeply personal statement.

Who it's for

Directors programming contemporary secular repertoire for mixed choirs who want material with genuine emotional weight and cultural relevance. This works equally well for concerts spotlighting pop and soul music or for ensembles seeking to expand beyond traditional choral idioms.

How to get the most out of it

  • Balance the solo moments with ensemble support; the accompaniment should never overshadow a featured vocalist's vulnerability in the verses.
  • Lean into the rhythmic pocket. This isn't classical phrasing; let the rhythm section sit slightly behind the beat for that contemporary soul feel.
  • Shape the dynamic arc through the entire piece rather than treating each phrase as isolated. The emotional trajectory builds from introspection to affirmation.
  • Encourage singers to listen to the original recording, but remind them that your arrangement's three-part texture creates different harmonic possibilities worth exploring.

How to use it

Pair this with other contemporary vocal music to create a thematic program exploring identity and self-worth, or use it as a tonal shift in a mixed concert where it provides contrast to classical or jazz selections. The nine pages make it manageable for rehearsal time while creating a substantial performance moment.

Skills your students will build

  • Singing with legit soul articulation and contemporary vocal styling
  • Balancing solo and ensemble textures in pop arrangements
  • Maintaining rhythmic integrity in groove-based music
  • Interpreting harmonic color in extended chords common to soul music
  • Reading three-part mixed voicing with independence

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