I'm in Love with a Monster: Choral Instrumental Pak
As performed by Fifth Harmony / As performed by Carmen Reece / Arranged by Mac Huff
Item: 35-PK00332415
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About the Artist: Fifth Harmony
Fifth Harmony formed on the U.S. version of "The X Factor" in 2012 and quickly became one of the defining pop groups of their generation. The group's tight vocal blend, rhythmic precision, and ability to command contemporary pop arrangements made them influential voices in modern choral music. Their work demonstrates how commercial pop acts can engage audiences with both technical vocal skill and infectious energy.
For music educators, Fifth Harmony's catalog offers accessible entry points into contemporary pop arranging. Their songs feature strong melodic hooks, layered vocal textures, and arrangements that translate effectively to educational settings while maintaining the style and appeal that connects with student performers and audiences alike.
Why we love this
Mac Huff's arrangement captures the playful menace of the original without losing the pop hook that makes this track instantly recognizable to students. The gothic energy paired with genuine melodic substance gives concert programmers a novelty selection that doesn't feel cheap or rely solely on spectacle.
What to expect
Playful menace wrapped in a pop candy shell. Minor key harmony creates gothic sophistication while the beat and melody keep things tongue-in-cheek and fun. The arrangement bounces between moody ensemble texture and bright, confident solos without ever losing its mischievous smile.
Who it's for
Directors programming concert variety or Halloween-themed shows will find this accessible for mixed or treble choirs at intermediate to advanced levels. It appeals equally to pop vocal groups seeking contemporary arrangements with serious musical content and to traditional concert choirs wanting to connect with student interests.
How to get the most out of it
- Lean into the rhythmic swagger of the track; the grid matters as much as the pitch. A locked rhythm section transforms this from cute to genuinely cool.
- Balance the minor key tonality with clear, forward vowels on the main hook so the melody cuts through the ensemble sections.
- Treat the percussion and electronic elements as characters in the arrangement, not accompaniment. They drive the attitude of the piece.
- Use the recorded accompaniment strategically during rehearsal to establish groove, then rehearse a cappella frequently to build ensemble independence and ears.
How to use it
This works beautifully as a closer on a Halloween concert, particularly if paired with one serious arrangement and one other contemporary novelty to create a balanced show. It also serves as a memorable finale for fall pops concerts or as a high-energy interlude during a longer winter concert program.
Skills your students will build
- Rhythmic precision in syncopated pop grooves
- Blend and balance between solo lines and harmonic backgrounds
- Stylistic interpretation of contemporary pop phrasing
- Coordination with non-traditional accompaniment (electronics and percussion)
- Dynamic contrast within a single harmonic texture