I'm Gonna Sit Right Down And Write Myself A Letter (arr. David Scott) Sheet Music Preview

I'm Gonna Sit Right Down And Write Myself A Letter (arr. David Scott): SSA Choral Octavo

By Fred E. Ahlert / By Joe Young / As performed by Willie Nelson / As performed by Billy Williams / Arranged by David Scott

Item: 35-DS01914951

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Additional Details
Publisher: Hal Leonard
Page Count: 12
SKU: 35-DS01914951

More about this title

About the Composer: Fred E. Ahlert

Fred E. Ahlert composed over 100 songs during his prolific career, establishing himself as a skilled tunesmith for both stage and screen in the mid-twentieth century. His melodies have the gift of accessibility without sacrificing craft; they stick in your ear while rewarding careful harmonic and lyrical attention.

Why we love this

David Scott's SSA arrangement captures the playful charm of this standard without oversimplifying it. The voicing sits naturally for developing singers while preserving the song's conversational warmth and subtle jazz inflections, making it accessible and genuinely fun to perform.

What to expect

Intimate and genial, like overhearing someone's candid late-night thoughts set to music. The arrangement balances an almost vaudeville-like directness with musical sophistication, creating a piece that feels both timeless and immediately present.

Who it's for

This works for developing SSA ensembles, especially those comfortable with jazz-inflected pop material and conversational texts. It suits directors seeking a piece that's genuinely engaging for singers without being condescending or overly simplified.

How to get the most out of it

  • Treat the lyric as a monologue from the character writing the letter. Let natural speech rhythm guide your phrasing rather than sitting rigidly on the beat.
  • Balance the homophonic and contrapuntal sections carefully; when voices move independently, each line should have clear narrative purpose rather than serving merely as filler.
  • The arrangement benefits from a light, conversational tone in rehearsal. Avoid lush, classical choral sound; instead aim for clarity and personality that echoes the vernacular origins of the text.
  • Pay close attention to any divisi moments in the middle voices, as they create harmonic color that can easily blur if blend isn't deliberate.

How to use it

Pair it with other early American pop standards or songbook material to create a concert segment with period charm. It also works beautifully as a closer for a more pop-leaning concert, where its self-aware humor and warmth can leave audiences smiling.

Skills your students will build

  • Performing jazz-inflected rhythms and swing articulation in choral context
  • Lyric interpretation and character work in secular vocal music
  • Listening to harmonic movement across divisi sections
  • Balancing homophonic and contrapuntal textures within a single piece

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