I'm Glad There Is You (In This World of Ordinary People): Choral Instrumental Pak

Kirby Shaw's arrangement captures the song's intimate vulnerability while giving your rhythm section a chance to shine with authentic jazz voicings. The piece sits comfortably in a concert setting, offering singers and players the rare gift of a standard that sounds effortless when prepared well but rewards careful attention to balance and phrasing.

The piece unfolds like a quiet conversation between two people; there's tenderness in the harmonic language and a wistful quality to the melody that feels both sophisticated and genuinely moving. The dreamlike quality the arrangement creates draws listeners into an intimate space despite what may be a full ensemble on stage.

Concert choirs with a solid jazz background and access to capable rhythm section players. This works particularly well for groups interested in exploring the American songbook beyond classical repertoire.

• Let the arrangement breathe by resisting the urge to push the tempo; the 2:30 duration depends on space and silence as much as sound.
• Balance the vocal line against the jazz harmonies so the accompaniment supports without overwhelming the melody's simplicity.
• Work with your rhythm section on the specific voicings Kirby Shaw provides; jazz standards demand precision in chord coloration, not just accuracy in notes.

Consider placing this as a standalone moment in a mixed concert, perhaps following something more energetic to create dynamic contrast. It also works well as part of a standards showcase or in a spring concert focused on sophisticated ballads.

• Jazz harmony voicing and listening
• Balancing melody against jazz accompaniment
• Sustained phrasing in slower tempos
• Collaboration with rhythm section players
• Interpretation of American popular song standards