I'm Flying (from Peter Pan): 2-Part Choral Octavo

Sally K. Albrecht's 2-part arrangement captures the exuberance of this beloved song without sacrificing harmonic interest or singability. The partner song format gives singers agency over their own part while building ensemble cohesion, and the recorded accompaniment option means you can rehearse flexibly whether or not a pianist is available. This is the kind of repertoire that reminds choirs why they sing together.

Pure joy and lightness. The melody soars with the kind of buoyancy that makes singers feel like they're actually taking flight, and the simplicity of the 2-part texture means no one gets lost. This is music that makes audiences smile the moment the first note lands.

Two-part choirs at any level will find this arrangement accessible and immediately rewarding. It works equally well for middle school ensembles, community choirs, and youth programs looking for music that's genuinely fun to sing without being condescending.

• Encourage singers to breathe with purpose at phrase endings rather than gasping; the lightness of this piece benefits from controlled, supported breath.
• Balance the two parts equally during the partner song sections so neither line dominates; if one voice drops back, the effect loses its magic.
• Take time in rehearsal to establish the exact tempo and energy level that feels right for your group; "flying" should feel effortless, not rushed.

Consider programming this in a spring concert or family performance where warmth and accessibility matter. It pairs beautifully with other Broadway or musical theater selections, or stands alone as a delightful interlude that refreshes the ears between weightier pieces. The familiarity of the melody means audiences engage immediately.

• Singing sustained, buoyant melody lines
• Managing two independent vocal lines in ensemble
• Controlling breath placement for lightness and resonance
• Responding to harmonic support from a second part