I'm Bound Away Sheet Music Preview

I'm Bound Away: TTB Choral Octavo

Arr. Donald Moore

Level: Moderate

Item: 00-PO-0003065

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$2.25

Minimum order quantity: 20 copies

Description
A lyrical sea chantey set for men's voices. A great addition to the male ensemble repertoire. It's sensitive and warm, and it rises and falls in waves of lush sound. Your men's choir will find this one accessible.

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Additional Details
Series: Alfred Archive Edition: Studio PR Catalog
Publisher: Alfred Music
Page Count: 8
SKU: 00-PO-0003065

More about this title

About the Arranger: Donald Moore

Donald Moore

Donald Moore earned his Bachelor of Music in organ performance and Master of Arts in Teaching from Kent State University. He serves as Organist-Choirmaster at Pilgrim United Church of Christ in Cuyahoga Falls, Ohio, and has composed and arranged over 500 works across sacred, secular, educational, and popular genres for ensembles ranging from choir to organ and piano.

Moore's compositions appear regularly on state and national festival programs. His work has been recognized with seventeen ASCAP Composers Standard Awards, and the American Choral Directors Association's Choral Journal listed him among 400 elite composers of significance in American choral music history. His catalog spans multiple publishers including Alfred, Hal Leonard, and Heritage Music Press.

Why we love this

Moore captures the lyrical quality of this traditional sea chantey without sentimentality or pretense. The arrangement sits comfortably for men's voices while maintaining the folk material's essential character, making it genuinely rewarding for singers and audiences alike at festival or concert performance.

What to expect

The arrangement evokes water in motion—the gentle undulation of waves, the nostalgic pull of a sailor's story. Warm harmonic language creates an intimate, introspective mood that contrasts effectively with more energetic or dramatic repertoire. The writing breathes rather than rushes.

Who it's for

Male chorus directors seeking repertoire that balances musicality with accessibility. This works well for groups that want to program a piece that feels both contemporary in its arranging language and rooted in folk tradition. Men's voices benefit from material that is neither overly bombastic nor overly simplified.

How to get the most out of it

  • Shape the musical phrases to mirror the rise and fall suggested in the score; resist the urge to push volume uniformly. Let dynamics serve the text and the natural breathing points of each section.
  • Balance the three parts so that when one voice carries the primary line, the other two provide supportive harmonic color rather than competition. This clarity matters at concert hall distances.
  • Attend to the tuning of vertical sonorities, especially where voices converge on chord tones. Lush sound relies on acoustic precision, not just blend.

How to use it

Program this alongside other folk or sea-themed selections to create a thematic concert section, or use it as a humanizing contrast to more complex or technically demanding pieces. Its moderate difficulty and eight-page length make it suitable for festival competition or a spring pops concert.

Skills your students will build

  • Sustaining warm, resonant tone in lower vocal registers
  • Interpreting lyrical phrasing and dynamic shaping in three-part texture
  • Balancing individual voice parts within a harmonic ensemble
  • Reading and performing TTB voicing with clear part independence

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